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Tribeca Film Festival

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    Tribeca Review: 'Supporting Characters' Is A Middling Movie, But A Decent Would-Be Pilot Episode For A Show We Might Watch

    What fascinates about “Supporting Characters,” the new relationship comedy premiering at the Tribeca Film Festival, is that it’s greatest strength also registers as its most notable weakness. This decidedly Noo Yawk tale of an editing team in New York City and their satellite frien...

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    Tribeca Review: 'Graceland' Mashes Together Suspense Thriller With Sobering Child Trafficking Drama, With Mixed Results

    Mild-mannered husband and father Marlon Villar is just having one of those days. The boss is on his case. His wife is being needy. His daughter is acting up. The cops are bugging him. “Graceland” begins as a compendium of what some adults would call a terrible, horrible, no good, very bad day. Wah w...

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    Tribeca Review: 'Beyond The Hill' A Slow Burn Without The Burn

    Initially a proficient micro-budget character study with promises of suspense, "Beyond The Hill" squanders its tension by hitting repetitive notes and devolving into a heavy-handed parable. Emin Alper's little bag of tricks can't sustain an entire film and no amount of beautifully-...

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    The Emotional NYC Premiere of "Keep the Lights On" at Tribeca

    Being a gay film person in New York has its perks, one of which was being able to follow the production of a movie we all felt would be really important. Ira Sachs' "Keep The Lights On" was the movie, it was the summer of 2011, and we were all excited to have a gay-themed story told in...

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    Tribeca Review: 'Deadfall' Starring Eric Bana & Olivia Wilde Is Trapped In A Blizzard of Coincidence & Two-Dimensional Characters

    "Deadfall" starts off strong enough – three criminals, led by Addison (Eric Bana) and his sexy sister Liza (Olivia Wilde) speed away from some unspecified job (it's later revealed to be a casino heist). It's icy out and their driver (the only black character in the whole movie) overcompensates, avoi...

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    Tribeca: David Riker & Abbie Cornish Discuss Immigration Tale 'The Girl'

    Known for his neo-realist film about the plight of Latin American immigrants living in New York City, "La Ciudad," indie writer/director David Riker has spent the better part of 14 years evolving story of his latest feature, "The Girl" which premiered at the Tribeca Film Festival last week. In the m...

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    Tribeca Review: 'As Luck Would Have It' Is The Jewel Of The Fest

    Alex de la Iglesia’s “As Luck Would Have It” features, in supporting roles, Salma Hayek and Carolina Bang, two of the most ravishing and talented Spanish language actresses to ever grace the screen. Most viewers are well aware of Ms. Hayek, who has aged gracefully into Hollywood’s demeaning mother-g...

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    Get Into My Head: Thoughts I Had While Watching James Franco in 'Francophrenia'

    If you have the chance to see James Franco's new film (co-directed by Franco and Ian Olds), "Francophrenia (or: Don't Kill Me, I Know Where the Baby Is") at this week's Tribeca Film Festival, please do...So long as you don't think you'd mind staring at Franco, most...

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    TFF 2012: Three Things You Should Know About Short-Form Filmmaking

    The Tribeca Talks panel “The Future is Short: Storytelling in the Digital Age” offers simple and telling information about how to get your content out there and maybe make some money back. The landscape is still fairly disjointed, with a few too many special sauces brewing in the pot.

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    Tribeca Review: Troubling Doc 'Sexy Baby' Looks At The Indoctrination Of Women Into A Porn-Centric World

    “Sexy Baby,” a new documentary premiering at the Tribeca Film Festival, is problematic from it’s early, explicit pornographic sequences to its bewildering final shot close-up of an actual newborn baby. Ostensibly, the narrator-less film uses the stories of three separate white girls to illustrate th...

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