There’s a lot of bad movies released every year. Lots. We are but humans, and we can’t see them all. But someone always does. Sometimes it’s many (“The Twilight Saga”). Sometimes few (“Birdemic: Shock and Terror”). But there’s truly something to be said about the general public’s hunger for art that...
Read More »While 2009 seemed to burst at the seams with numerous ace soundtracks -- largely thanks to new films from Wes Anderson, Spike Jonze, Jim Jarmusch, Greg Mottola and Quentin Tarantino -- unless you were a “Twilight” fan, pickings were a lot slimmer this year for well curated songs in films (though, as you’ll see, there were some definite standouts). However, as if to compensate, composers stepped it up considerably with old reliables like Hans Zimmer, Clint Mansell, Carter Burwell and Michael Giacchino delivering the goods while left field surprises like Daft Punk and Trent Reznor shook up the stodgy old boys club with compelling, highly origin...
Read More »Every once in awhile, we look at the numbers and hope, pray that the weekend is emblematic of an attitude amongst the public. They’ve had enough, we predict, and moviegoers are no longer going to accept subpar product. This winter has led to that assumption being made repeatedly, as audiences have r...
Read More »Are you ready for another “Avatar” experience? No? Well, okay, guess that’s fine. “Tron: Legacy” opened to the same midnight numbers as the James Cameron epic, but failed to equal that film’s general attendance or gross in its first weekend. 'Tron' has been pushed for a couple of years now as a near...
Read More »Filmmaker Discusses The "Wizard of Oz" Aspect Of 'Tron' Remake's 3DExclusive: When we reviewed "Tron: Legacy" a week ago, we noted that the movie has a surprisingly strange, video-art-project vibe. The most striking moments in it come when the overstuffed sci-fi plot falls away and the visuals and music get pumped up to maximum, sternum-shaking volume. Director Joseph Kosinski shoots and edits things very cleanly -- light cycles glide across the screen, leaving a ribbon of flowing light behind him; characters walk slowly towards the screen bedecked in rubbery suits rimmed with neon; and often its oversized importance (chiefly in a monetary se...
Read More »There's an early scene in "Tron: Legacy" where we get a look around Sam Flynn's room. We see that the young son of computer magnate Kevin Flynn (played by Jeff Bridges) has small toys based around the computer characters in the first movie and, briefly, we get a glimpse of a poster on his wall. It's "The Black Hole," an underrated sci-fi movie that Disney released in 1979 to middling box office returns. It's a movie where Anthony Perkins is killed by robots and has held up surprisingly well (certainly way better than the original "Tron"), thanks largely to its emphasis on moody atmospherics over "cutting edge" technology. The poster's placeme...
Read More »Hollywood lays out the red carpet for "Tron: Legacy" this week, because there's surprisingly little competition for the 3D spectacle this high-season almost holiday weekend. Sure, there's something for the kids with (shudder) "Yogi Bear" and something for the ladies with "How Do You Know," but 'Tron' is bringing some of that summer blockbuster swagger to winter. Maybe studio execs assume everyone's going to be spending those hard earned bucks on gifts or warm and toasty yuletide libations. At any rate, despite the rather slim pickins there's a little something for everyone at the multiplex, and even some awards-season contenders for those of ...
Read More »Filmmaker Says He Would Absolutely Direct A "Tron: Legacy" Sequel If He's "Lucky Enough To Get The Opportunity"Yesterday we spoke with "Tron Legacy" mastermind Joseph Kosinksi about a lot of things regarding his wild, $300 million video art installation that masquerades, quite handily, as a holiday ...
Read More »We ran our first review "Tron: Legacy" yesterday, here's another take on the film.
Read More »The first hour of "Tron: Legacy," Disney's immensely budgeted (some reports have it soaring past the $300 million mark with marketing costs) reboot/sequel of a marginally popular 1982 live-inside-the-videogame cult oddity, is as breathless and bold as any recent franchise flick. It begins in 1989, with Jeff Bridges, playing computer magnate/visionary Kevin Flynn, mysteriously vanishing -- leaving behind a vast company and young son. We flash forward 20 years or so, and the abandoned son Sam (played by Garrett Hedlund) is now the company's largest shareholder but also a restless, wayward twentysomething who pulls an annual prank on the board (...
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