For Aaron Sorkin’s characters, doing your job and falling in love are often inseparable processes.
Read More »This week's Falling Skies gave us some very earned emotional release. Like almost every episode, the action sequences were kick-ass, but the heart of the episode this week was in its emotional moments. While some of the set-up leading into the key dramatic sequences was schmaltzy, and some ...
Read More »Alan Ball’s a believer. Now on his last season as the major domo of "True Blood," he continues to see no reason at all why Big Themes and literary stuff can’t coexist with camp, bodice ripper romance, Hammer gore camp and a Ken-Russell-esque free-for-all approach to fantastic filmmaking.
Read More »Best laid plans go awry as the newsroom staffers attempt an upgraded show, and as "The Newsroom" writer Aaron Sorkin gives us female characters with some serious mood swings.
Read More »We're living in something of a golden era of documentary filmmaking. Whether on the big screen, and more frequently on cable -- where a plethora of specialty channels offer a variety of outlets -- documentaries can more easily reach an audience than ever before. But are they making an impact? It see...
Read More »"Louie" continues to grow in strange and wonderful ways its third season (starting tonight, June 28th, on FX at 10:30pm) -- both the title character and the show itself. When it began in 2010, the series felt like a collection of strikingly realized scenes lifted right out of Louis C.K....
Read More »Longmire’s specific focus on its main character can yield some tense results, as last week’s episode demonstrated effectively. But this approach also leads to difficulties when the scope of the episode is wider.
Read More »Aaron Sorkin's "The Newsroom" might be a consistently good show if it cuts the blather and gets to the news.
Read More »HBO’s been trying to sell "The Newsroom" to audiences on the strength of its opening scene, when Will McAvoy (Jeff Daniels), a bland and personable cable news anchor trapped in his own private hell somewhere between a shout-y liberal and a conservative, snaps and delivers a rant about American great...
Read More »The longer Aaron Sorkin’s deeply-nostalgic-for-the-golden-age-of-news show “The Newsroom” goes on for, the more improbable the workplace drama (and dramedy), set at a fictional cable-news show, becomes. A complacent and apathetic news anchor known as the MOR Jay Leno of news anchor suddenly explodes...
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