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    Twitter Friday: Finke vs. Breznican, CHUD vs. Playlist, Power Couple at the Savoy

    On Friday afternoons folks start to relax and hang on Twitter. This afternoon was particularly rich with delights. First, Deadline.com editrix Nikki Finke tweeted to refute USA Today staffer Anthony Breznican's assertion that a publicist pitched him to have Finke appear on his radio show, even thoug...

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    Daily Read: Shutter Island Reaction, Tarantino Goes West, Smith Fights Southwest

    In case some of these stories got past you, Amy Dawes rounds up the day's industry news: While confessing to some fatigue at its length, Screen's Tim Grierson generally raves about the pulpy thrills of Martin Scorsese's Shutter Island, which premiered out of competition Saturday at the Berlin film f...

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    Google Buzz Video

    These days, keeping up with Twitter, email, Facebook, Linkedin (I abandoned myspace long ago) is almost more than a single person can sustain, much less reading something of any length or, God Forbid, thinking or doing any work.

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    Cameron Alter Ego Feeds Twitter

    Just who is @JFCameron, as in "James Fucking Cameron," on Twitter? The tweeter started channeling the mighty director on August 22 with the following:

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    Journalism in 3-D: Is Content Dead?

    "If content is not king," asked Variety publisher Neil Stiles at a downbeat Digital Hollywood journalism panel Wednesday, "what is?"

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    With Paranormal Activity, Paramount Sets New Marketing Model

    From the start, Paramount online marketing executive Amy Powell knew that she could sell micro-budget horror thriller Paranormal Activity on the Internet.

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    Is Twitter a Marketing Tool?

    Digital marketer Chris Dorr continues his informative exploration of the field with an essay explaining the many uses of Twitter. His use of the service is very close to mine, though I suspect I re-tweet more than he does. It is essential for me to check into my followers several times a day. They w...

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    The Flixster Effect: 2 Billion Movie Ratings

    Call it the Flixster Effect.

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    Three Tools to Unlock Bright Star's Online Potential

    In the second of a series of service pieces about independent film marketing, digital consultant Chris Dorr uses Bright Star as an example of a movie that has not taken full advantage of its online potential. He offers three ways the film could unleash the passion online that is in such evidence ons...

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    Media Watch: Innovating, Twittering, Social Networking, iTuning, Videoing

    Stop the presses! White guys direct 93% of Hollywood studio pictures. Yes, this has been a fact of life for far too long, and isn't changing any time soon. Who else are you going to trust with millions of dollars?

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