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Venice Film Festival

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    Venice Review: ‘The Reluctant Fundamentalist’ - Muscularly Charismatic, But Exasperating

    Before its unveiling, some found “The Reluctant Fundamentalist” a peculiar choice as Venice opener by new artistic director Alberto Barbera, even taking into account Mira Nair’s history here (the Indian-born, New York-based filmmaker won the Golden Lion with “Monsoon Wedding” in 2001)...

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    Venice Review: Michael Shannon Vehicle 'The Iceman' Is A Tired Take On The Mob Flick

    Are we living in a post-gangster movie age? From the early talkies to the Oscar-winning success of “The Departed,” the genre has been ever-popular and responsible for seminal films from “White Heat” and “The Godfather” to “Goodfellas” and “Pulp Fiction.” But one struggles to think of a standout film...

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    Venice Review: 'Tai Chi 0' An Uneven, But Playful & Enjoyable Piece Of Kung Fu Pop Art

    Just as the nation as a whole sneaks up on surpassing the United States of America as the world’s foremost superpower (if it hasn’t already), China has become more and more important to the movie world in the last few years. Grosses for the relatively few American movies released there are huge (“Th...

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    Venice Review: Sarah Polley Examines Her Own Family In Lovely, Fascinating 'Stories We Tell'

    Sarah Polley has a secret. It’s a secret that, remarkably, she kept under wraps to all but friends and family until the film screened at the Venice Film Festival this morning. It’s a secret that’s seemingly informed her two directorial efforts to date, “Away From Her” and “Take This Waltz,” and is t...

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    Venice Review: Mira Nair's 'The Reluctant Fundamentalist' A Heavy-Handed Look At A Post 9/11 World

    Opening films at festivals are always worth approaching with a little caution. Normally given out-of-competition slots, it’s often a signal that the films have been selected to bring some starry names, and the attention that goes with them to the red carpet, or to make some kind of mission statement...

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    Venice Review: Kiyoshi Kurosawa's 'Penance' Is An Absorbing 4 1/2 Hour Drama That Falters At Its Ending

    For all the talk of auteurs working on the small screen, and helping to bring in a new golden age of television – Martin Scorsese, Michael Mann etc. – it’s hardly a phenomenon only made up of HBO’s current output. Ingmar Bergman and Rainer Werner Fassbinder both turned to television in the 1980s, fo...

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    Venice Days' Spotlight on Female Filmmakers: 'Womens Tales' in Conversation with Nair, Bier & Cavani

    The Venice International Film Festival's Venice Days kicks off its ninth edition with "Women's Tales," featuring four short films by young female directors: Zoe Cassavetes, Lucrecia Martel, Giada Colagrande and Massy Tadjedin.

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    The Playlist's 10 Most Anticipated Films Of The Venice Film Festival

    Superhero movies be damned, festival season is underway. Indeed, by the time you read this, this writer will be winging his way to (hopefully) sunny Italy to spend ten days or so resolutely avoiding getting anything like a tan at the 69th Venice Film Festival. The first under the new leadership of A...

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    Sony Pictures Classics Takes Redford's Venice & Toronto Bound 'The Company You Keep'

    Sony Pictures Classics has taken U.S. rights to Robert Redford's upcoming Weather Underground drama "The Company You Keep." The movie boasts an impressive cast: Redford, Shia LeBeouf, Julie Christie, Brendan Gleeson, Terence Howard, Richard Jenkins, Anna Kendrick, Brit Marling, Stanley Tucci, Ni...

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    Visit the Lido Without Spending the Big Bucks: Ten Venice Features to Stream Online

    For the first time in the history of the Venice Film Festival (August 29-September 8), 10 features films and 13 short films from the Orizzonti section of the fest will be available for streaming all over the world, concurrent with the films' debuts on the Lido.

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