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Venice Film Festival

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    Venice Review: 'Blondie' A Promising Swedish Family Drama That Gets Less Interesting As It Goes On

    For millennia now, the idea of three sisters has been a potent one in myth and literature. From the Fates of Greek legend to the witches in “Macbeth” to Olya, Masha and Marina in Chekov’s play, the theme recurs across civilizations, with mountain ranges and rivers named some variation on ‘three sist...

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    Venice Review: ‘Disconnect’ Is ‘Crash’ For The Web Era, And Even More Dismal Than That Sounds

    Many writers say they prefer not start the writing process with a theme in mind – they simply let it emerge organically from their plot or characters. But then, plenty of films have gone the other way. The multi-stranded, interconnected drama revolving around a particular subject or theme, like Stev...

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    Venice Review: Olivier Assayas’ ‘Something In The Air’ A Gorgeous Autobiography Marred By Underdeveloped Characters

    He’s been something of a critical favorite for a while now, but after making the hugely acclaimed “Summer Hours” and the acclaimed TV miniseries/theatrical marathon “Carlos” within a few years of each other, French filmmaker Olivier Assayas has firmly cemented himself as one of the more exciting dir...

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    'Anna Karenina' Early Review: Visually Splendid, Audacious, Swoony Epic Romance Heads for Oscars

    The startling new adaptation of Tolstoy’s great novel "Anna Karenina," with Keira Knightley in the title role, is . as visually splendid as any studio epic, even if it plays with audience expectations of what lavish looks like. It’s a respectable adaptation of a huge story, encompassing a wealth of ...

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    Venice: 'To The Wonder' Press Conference - Kurylenko Feels Telepathic Connection to Malick

    In the absence of Terrence Malick (naturally…), Ben Affleck, Javier Bardem and Rachel McAdams, it was left to Olga Kurylenko to fly the flag for "To The Wonder" at the film's Venice press conference, alongside producers Sarah Green and Nicolas Gonda and Italian co-star Romina Mondello.

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    Venice Review: 'Fill The Void' An Orthodox Jewish Romance Caught Awkwardly Between Comedy & Melodrama

    After a Cannes Film Festival which attracted criticism for including no female directors whatsoever, new Venice Film Festival head Alberto Barbera seems to be having bit of a dig at his Gallic rivals with his first year in charge. In the official selection alone, there are four female directors or c...

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    VENICE: 'The Master' Press Conference; Cruise & Anderson Still Friends

    Despite an enthusiastic reception as he entered the room, Paul Thomas Anderson held up his reputation as elusive prey at "The Master" press conference in Venice, and his two stars Philip Seymour Hoffman and Joaquin Phoenix were happy to fall in step behind him. In fact, Phoenix barely said...

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    Venice Review: Terrence Malick's 'To The Wonder' Is A Raw & Heartfelt Film Of Loss And Longing

    For a man not known for being prolific, an eighteen-month gap between Terrence Malick’s “The Tree of Life” (the filmmaker’s first film in five years) and his latest, “To the Wonder” (only his sixth in forty years) isn’t just unprecedented, it’s positively mind-boggling, especially given that the dir...

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    VENICE REVIEW: Anderson's 'The Master' Impresses and Befuddles; Phoenix & Hoffman Both Outstanding

    What has Paul Thomas Anderson wrought with “The Master”? A film that’s majestic and masterly if not a masterpiece, which draws sustenance from masters of the past, filmic, literary and artistic, and is pinioned by two colossal characters as it recounts the early, stuttering formation of a Scientolog...

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    Venice Review: 'The Master' Is Paul Thomas Anderson's Most Complex And Distinctive Film To Date

    No movie has been more keenly anticipated by cinephiles in 2012 than Paul Thomas Anderson’s “The Master.” The filmmaker has been one of cinema’s most exciting new voices for a decade and a half now, but reached a new level of adulation with his last picture, ”There Will Be Blood,” which won awards a...

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