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Venice Film Festival

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    Jean Denizot's 'La Belle Vie' Wins Venice Film Festival's Europa Cinemas Label

    A jury of four exhibitors announced today that "La Belle Vie," the feature debut of French director Jean Denizot, is the the winner of the Venice Film Festival's Europa Cinemas Label, as part of the festival's Venice Days section.

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  • The Playlist
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    Venice Review: Frederick Wiseman's Epic College-Set Documentary 'At Berkeley'

    Over the years, veteran documentarian Frederick Wiseman has covered what sometimes feels like almost kind of institution and every aspect of life in America (and occasionally, life abroad too). "Titicut Follies," "Juvenile Court," "Zoo," "Racetrack," "Central Park," "Public Housing," "Boxing Gym," a...

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    WATCH: Lance Armstrong Comes Clean in First Clip from Alex Gibney's 'The Armstrong Lie'

    The first clip from Alex Gibney's "The Armstrong Lie," a chronicle of cyclist Lance Armstrong as he prepared for his eighth Tour de France victory in 2009, has landed. In the clip below, Armstrong talks about a cathartic interview he had with Oprah just three hours before.

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  • The Playlist
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    Venice Review: Tsai Ming-Liang's 'Stray Dogs'

    In a festival that's seen a number of endurance tests—Philip Groning's three-hour, 59-chapter "The Police Officer's Wife," the abstracted imagery of "Under The Skin," the brief but unrelentingly terrible duration of "Parkland," no film seemed to inspire more walk outs than "Stray Dogs." The return o...

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    Venice Review: Japanese Remake Of Clint Eastwood's 'Unforgiven' Starring Ken Watanabe

    Lord knows that, over the years, Hollywood has plundered its fair share of Japanese cinema. From the appropriation of "Godzilla," "Seven Samurai" turning into "The Magnificent Seven," to the long run of J-horror re-dos, to—only last week—the announcement of a DreamWorks version of Cannes film "Like ...

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    Venice 2013: A Guide To All The Films

    The lineup for the 70th Venice Film Festival has been unveiled, with new films from James Franco, Stephen Frears, Terry Gilliam, Hayao Miyazaki, David Gordon Green, Kelly Reichardt, Xavier Dolan, Jonathan Glazer, Amos Gatai and Errol Morris all screening in competition.

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    Venice Review: Errol Morris’ Donald Rumsfeld Documentary ‘The Unknown Known’

    As we inch towards another potential war in the Middle East, the last couple are still being pored over by filmmakers. We’re still likely some time away from the definitive takes on the wars in Iraq and Afghanistan, but we have seen a few solid films telling those stories in the last decade or so al...

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  • The Playlist
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    Venice Review: Patrice Leconte’s ‘A Promise’ Starring Rebecca Hall, Richard Madden & Alan Rickman

    He’s fallen out of favor a bit in the last few years, but there was a time when Patrice Leconte was one of the most popular foreign filmmakers in the U.S. While he was never a favorite with the hipper critics, over the 1990s and early 2000s, films like “Ridicule,” “ The Girl On The Bridge,” “The Man...

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  • The Playlist
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    Venice Review: Kim-Ki Duk's Taboo-Shattering Black Comedy 'Moebius'

    Internationally at least, Kim Ki-Duk's "Pieta" was hardly the popular choice to win the Golden Lion at last year's Venice Film Festival. The Korean provocateur is a long-time favorite at Venice, and the film was predictably well-received by local audiences and critic, but U.S. and U.K. critics, ours...

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  • The Playlist
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    Venice Review: Alex Gibney's Lance Armstrong Documentary 'The Armstrong Lie'

    The last few years have seen sport of all kinds haunted by the specter of doping, with everyone from Barry Bonds to Alex Rodriguez linked to the use of banned substances. But the name that is likely to forever be linked with drugs cheating in sports is Lance Armstrong. Thanks to his seven victories ...

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