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Venice Film Festival

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    Venice Review: 'Passion' Has Flashes Of Classic Brian De Palma, But Often Feels Lackluster

    Like the waves that lap the beach by the Palazzo del Cinema in Venice, Brian De Palma is reassuringly steadfast. Over the years his Movie Brat brethren Scorsese and Spielberg have adapted their respective styles to align with evolving audience tastes and advancing technology, embracing 3D and motion...

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    Venice: 'Crawl' Wins the Europa Cinemas Label for Venice Days Section

    Hervé Lasgouttes' "Crawl" has won the Europa Cinemas Label as Best European Film in the Venice Days section of the Venice Film Festival. By receiving the Label, "Crawl" benefits from promotional support and better exhibition options from the Europa Cinemas network.

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    Oscars: Which Contenders Got Heat Coming Out Of Venice And Telluride?

    As we write this, we're somewhere over the Alps, flying back to London after an exhausting, rewarding week at the Venice Film Festival. Meanwhile, our editor-in-chief just returned from the mountains after an equally busy weekend at the Telluride Film Festival. Festival season is only just getting u...

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    'Spring Breakers' Flashes the Press Corps at Venice

    The latest film from Harmony Korine drew some of the biggest lines of the festival -- and some decent reviews.

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    Venice Review: 'Dormant Beauty' Is Tender & Humane, But Adds Little To The Right To Die Debate

    The sanctity of life is one of the thorniest subjects of the 20th century, and seems certain to continue to be so for decades to come. One only has to look over the continuing debate in terms of contraception and abortion, among the most divisive and emotional issues in American politics (or, indeed...

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    Venice: Polley's 'Stories We Tell' Is Revealing & Affecting

    With Toronto beckoning, I've had to bid a reluctant farewell to Venice where, as much as I liked "BAD 25", "The Iceman", "Disconnect", "Enzo Avitabile Music Life" and "The Master", my pick of the festival was undoubtedly "Stories We Tell&quo...

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    Telluride Wrap: Strong Lineup Led by 'Argo,' 'Gatekeepers,' 'Amour,' and 'Stories We Tell'

    Heading into Toronto and New York, what have we learned from Telluride and Venice? Quite a good deal. The Telluride awards season movies now in play include Sony Pictures Classics' Palme d'Or-winning "Amour," starring Jean-Louis Trintignant and Emmanuelle Riva, which wowed audiences and journos alik...

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    Venice Review: Harmony Korine's 'Spring Breakers' Is A Semi-Conventional Genre Flick & Future Cult Favorite

    This will make you feel old: it has been 18 years since Harmony Korine wrote “Kids” at the age of 21, with the Larry Clark directed film proving to be something of a firecracker in the midst of mid-90s indie cinema, by turns controversial, seedy, and honest. Korine made his own directorial debut wit...

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    Venice Review: Kim Ki-Duk's 'Pieta' Is A Bruising Mother-Son Relationship Drama That Ultimately Disappoints

    With only a few days left of the Venice Film Festival, no clear front-runner has emerged to pick up the Golden Lion. “The Master” is probably the best-received film to date, but festival juries often shy away from the most obvious pick. “To The Wonder,” “At Any Price” and “Fill The Void” all have th...

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    Venice Review: 'A Hijacking' Is A Detailed, Gripping & Powerful High-Seas Hostage Tale

    As exciting as it can be to be one of the audience at the first public screening of an eagerly anticipated film – the new Paul Thomas Anderson or Terrence Malick, the new Rian Johnson or David O. Russell – perhaps the purest pleasure that can be found at a film festival is that of discovery. Picking...

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