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Venice

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    Venice Review: Alexandros Avranas' Extraordinary, Shocking 'Miss Violence'

    It's always exciting to see a nation not traditionally known for their cinematic output step up with a movement or wave of films and filmmakers that gain attention on the international scene. In recent years, some of the most exciting releases have come from directors based in Chile and South Korea,...

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    Venice Review: Terry Gilliam’s ‘The Zero Theorem’ Starring Christoph Waltz, Matt Damon & Tilda Swinton

    It’s been a rough couple of decades to be a Terry Gilliam fan. Not just because he hasn't been as prolific as you’d like him to be, with several false starts or projects that never made it to a greenlight—most famously “The Man Who Killed Don Quixote,” which actually made it to production before fal...

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    Venice Review: JFK Drama 'Parkland' Starring Zac Efron, Billy Bob Thornton & Jacki Weaver

    Ever since "PT 109," which detailed his WWII war record and was released while he was still in office, President John F. Kennedy has been catnip to Hollywood. After all, he was good looking, charismatic, had a dark secret life of womanising, among other things, and of course, was assassinated three ...

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    Venice Review: Stephen Frears' 'Philomena' Starring Judi Dench & Steve Coogan

    The term "Oscar bait" is one that, unfortunately, gets bandied about a lot this time of year. At worst, it's used to refer to every faintly serious-minded film released between July and December. At best, it describes a very particular kind of middlebrow drama that seems to have been created from th...

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    Venice Review: James Franco's Cormac McCarthy Adaptation 'Child Of God'

    James Franco might not be the first person to debut a film he'd directed at each of the three major European festivals in the same year (Ulrich Seidl recently managed the feat with his 'Paradise' trilogy, albeit not in the same calendar year). But it's an undoubtedly impressive run, especially given...

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    Venice Review: Kelly Reichardt's 'Night Moves' With Jesse Eisenberg & Dakota Fanning

    After the acclaimed trio of “Old Joy,” “Wendy & Lucy” and “Meek’s Cutoff,” Kelly Reichardt was already proving hard to pin down. The three films that made her name (plus her lesser-known earlier works “ Ode” and “River Of Grass”) are immediately recognizable as the work of the director, but very dif...

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    Venice Review: David Gordon Green's 'Joe' Starring Nicolas Cage & Tye Sheridan

    “Joe” unites a pair of talents somewhat on the comeback trail. David Gordon Green’s once-lofty critical reputation—the filmmaker was once lauded as a successor to Terrence Malick—took something of a hit after a left-turn into poorly-received studio comedies like “Your Highness” and "The Sitter," but...

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    Venice Review: Philip Gröning’s Three-Hour Domestic Violence Drama ‘The Police Officer’s Wife’

    To a certain audience, the return of Philip Gröning is big news. The German director has been working for twenty years or so, but his last film, 2005’s “Into Great Silence,” a documentary about the Carthesian monks of the French Alps, really saw him win recognition, becoming a favorite on the festiv...

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    Venice Review: Sono Sion's Bonkers Midnight Movie 'Why Don't You Play In Hell?'

    "Crowd-pleasing" is not an adjective typically associated with Japanese director Sono Sion. For a decade or so, he's been celebrated among cinephiles for his abrasive, challenging films like the four-hour long "Love Exposure" and the post-2011-tsunami "Himizu," which was something of a favourite her...

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    Venice Review: John Curran's 'Tracks' Starring Mia Wasikowska & Adam Driver

    “Tracks” has been a long time coming. Ever since Robyn Davidson wrote her 1979 memoir of her 1700-mile, eight-month trek across the Australian outback from Alice Springs to the Indian Ocean, and the book became an award-winning best-seller around the world, Hollywood has been sniffing around it. Mul...

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