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Venice

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    Venice Review: James Franco's Cormac McCarthy Adaptation 'Child Of God'

    James Franco might not be the first person to debut a film he'd directed at each of the three major European festivals in the same year (Ulrich Seidl recently managed the feat with his 'Paradise' trilogy, albeit not in the same calendar year). But it's an undoubtedly impressive run, especially given...

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    Venice Review: Kelly Reichardt's 'Night Moves' With Jesse Eisenberg & Dakota Fanning

    After the acclaimed trio of “Old Joy,” “Wendy & Lucy” and “Meek’s Cutoff,” Kelly Reichardt was already proving hard to pin down. The three films that made her name (plus her lesser-known earlier works “ Ode” and “River Of Grass”) are immediately recognizable as the work of the director, but very dif...

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    Venice Review: David Gordon Green's 'Joe' Starring Nicolas Cage & Tye Sheridan

    “Joe” unites a pair of talents somewhat on the comeback trail. David Gordon Green’s once-lofty critical reputation—the filmmaker was once lauded as a successor to Terrence Malick—took something of a hit after a left-turn into poorly-received studio comedies like “Your Highness” and "The Sitter," but...

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    Venice Review: Philip Gröning’s Three-Hour Domestic Violence Drama ‘The Police Officer’s Wife’

    To a certain audience, the return of Philip Gröning is big news. The German director has been working for twenty years or so, but his last film, 2005’s “Into Great Silence,” a documentary about the Carthesian monks of the French Alps, really saw him win recognition, becoming a favorite on the festiv...

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    Venice Review: Sono Sion's Bonkers Midnight Movie 'Why Don't You Play In Hell?'

    "Crowd-pleasing" is not an adjective typically associated with Japanese director Sono Sion. For a decade or so, he's been celebrated among cinephiles for his abrasive, challenging films like the four-hour long "Love Exposure" and the post-2011-tsunami "Himizu," which was something of a favourite her...

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    Venice Review: John Curran's 'Tracks' Starring Mia Wasikowska & Adam Driver

    “Tracks” has been a long time coming. Ever since Robyn Davidson wrote her 1979 memoir of her 1700-mile, eight-month trek across the Australian outback from Alice Springs to the Indian Ocean, and the book became an award-winning best-seller around the world, Hollywood has been sniffing around it. Mul...

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    Venice Review: Israeli Film Academy Best Picture Nominee 'Bethlehem'

    Venice has welcomed Israeli films into its line up many times over the last few years: tank-bound war film “Lebanon” was a Golden Lion-winner a few years back, and last year saw “Fill The Void” become something of a crowd-pleaser at the festival. “ Bethlehem,” the feature directorial debut of filmma...

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    Venice Review: Alfonso Cuarón's 'Gravity' Starring Sandra Bullock & George Clooney

    Since JFK vowed to put a man on the moon in 1961, space has represented untold possibility. Hope. Optimism. But once we actually got there, we realized what a terrifying place it can be. An endless void, freezing and/or burning, a place without air or life. But most terrifyingly of all, if you die ...

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    Terrence Malick's 'To The Wonder,' Brian DePalma's 'Passion' & Harmony Korine's 'Spring Breakers' Lead Venice 2012 Line-Up

    After something of wild goose chase (see above), the Venice line-up was announced this morning on the festival's official site, and although somewhat given away by the TIFF announcement a few days back, the big ticket is "To The Wonder," the second film in two years from anti-prolific auteur Terrenc...

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    The Amazing Race: Which Awards Contenders Came Out Of The Venice/Telluride/Toronto Derby On Top?

    After two bonkers weeks, the September festival season is just about dragging to a close (at least in terms of major awards-season debuts; Fantastic Fest is pretty much imminent, but it's not an awards player and the NYFF follows hot on its heels, but most of those films have screened already). And ...

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