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VFX

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    Rango's Verbinski and ILM VFX Master John Knoll Talk Fresh Take on Animation

    Defying every convention of the animated genre, Gore Verbinski's PG-rated $135-million Rango opened well, at $38 million. Why? As Verbinski (who jumped ship on Disney's Pirates of the Caribbean franchise after three installments) has been saying to anyone who will listen, audiences want originality....

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    Rango Early Reviews: "One Spectacular-Looking Movie," "Chaotic," "Wildly Imaginative" (UPDATED)

    Rango is a gorgeous CGI animated homage to the Hollywood western from Pirates of the Caribbean director Gore Verbinski, ILM, screenwriter John Logan and a great voice cast led by Johnny Depp. The VFX masters at ILM put their genius to work on a piece of CGI animation (blessedly not in 3-D) , and the results are wondrous, from the character animation to the action sequences. But while Logan is an Oscar-nominated studio scribe (The Aviator) who knows his westerns, this is not a Pixar film. On the one hand the pacing lags, and on the other, they don't seem to have a handle on how to make it play for both adults and kids. (Younger viewers in the ...

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    Oscar Watch: Hereafter VFX Breakdown

    Scanline VFX (300, 2012) and VFX supervisor Michael Owens lavished so much time and energy on the nine-minute tsunami at the start of Clint Eastwood's Hereafter that the movie won the Visual Effects Society (VES) award for outstanding supporting visual effects in a feature motion picture as well as ...

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    Oscar Video: Inception ASC-winner Pfister Talks Working with Nolan in 35 mm, Tech Panel Q & A

    In a surprise win, American director of photography Wally Pfister, who has been working with Chris Nolan for twelve years, ever since Memento, collected his first American Society of Cinematographers' award for Inception Sunday. He beat out Oscar favorite Roger Deakins, who collected the BAFTA for T...

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    Oscar Watch: Tim Burton and VFX Master Ken Ralston Talk Alice in Wonderland

    Alice in Wonderland presented a high degree of difficulty for veteran VFX master Ken Ralston and director Tim Burton, who tends to prefer live action FX to digital ones. He clearly wrestled with the huge volume of CG effects—the film used far more green screen than he’s ever dealt with. “It starts f...

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    Oscar Talk: Possible King's Speech Sweep, Santa Barbara Fest, Potential Upsets

    In this week's Oscar Talk, Kris Tapley and I debate a King's Speech Oscar sweep, possible Oscar upsets and share what we learned in Santa Barbara at various tributes and panels.

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    Oscar Watch: Inception Sweeps Visual Effects Awards with Four Wins, Dragon Beats Toy Story 3

    It's no surprise that Chris Nolan's Inception swept the 9th Visual Effects Society Awards with four wins including Outstanding Visual Effects in a Visual Effects Driven Motion Picture. The epic visual extravaganza is also expected to score the VFX and other technical awards on Oscar night February 2...

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    Behind the Visual Effects on Black Swan

    Darren Aronofsky's Black Swan is one of those movies that is creepy, scary, believable and psychologically taut partly because he deploys 250 visual effects shots to such good effect. They aren't obvious, or on a big-budget scale. While we probably figured out that Nina morphing into a Black Swan at...

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