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VFX

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    Immersed in Movies: 'Oblivion' Director Kosinski Talks Creating Original Sci-Fi Landscape Starring Cruise

    With a looming summer season packed with post-apocalyptic sci-fi--from "After Earth" (June 7) and "World War Z" (June 21) to "Elysium" (August. 9)--it's a good thing that director Joseph Kosinski's "Oblivion" is first out of the gate. This Tom Cruise-starrer about a blue collar drone repairman haunt...

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    Prana Studios Buys Bankrupt 'Life of Pi' VFX House Rhythm & Hues

    It's official. A Los Angeles bankruptcy court judge has approved the acquisition of visual effects and animation studio Rhythm & Hues, which did the VFX for Oscar-winning "Life of Pi," by a wholly-owned affiliate of LA-based Prana Studios, Inc. Many VFX houses these days are beleaguered by price-gau...

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    MORE: VFX, Life of Pi
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    Immersed in Movies: Stepping Up the VFX for 'G.I. Joe: Retaliation'

    After viewing the bang-bang antics of "G.I. Joe: Retaliation," it made perfect sense that Jon Chu became the director. His dance experience with "Step Up 2: The Streets" and "Step Up 3D" provided the perfect training for the choreographed action he devised for the "G.I. Joe" sequel starring newcomer...

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    Watch: 'Oz the Great and Powerful' Opening Credit Sequence, Where All the World's a Stage

    As Sam Raimi's "Oz the Great and Powerful" makes its way towards $200 million at the domestic box office (and $400 million worldwide), check out the film's inventive opening credit sequence, which features CG pop-up cutouts that progressively become trippier and trippier.

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    Finally: Union Talk at VFX Town Hall

    Not surprisingly, talk of unionization and a trade association dominated the international Pi Day VFX town hall meetings on Thursday in LA, the San Francisco Bay Area, Austin, Vancouver, and Wellington. Everyone agrees that the VFX industry has reached a tipping point and that the business model ...

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    Seeing VFX Is Believing, From Original 'Star Wars' and 'Superman' Franchises to Woody Allen's 'Zelig'

    “You’ll believe a man can fly.” That was the promise made to potential ticket-buyers during the fall and winter of 1978, when Richard Donner’s take on the Superman legend was being readied to soar across Christmastime movie screens all over America. We certainly never believed (nor were we asked to ...

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    Immersed in Movies: Puppet Cams, China Girl and VFX Wizardry in 'Oz the Great and Powerful'

    Bryan Singer and Sam Raimi both embraced lighter, kid-friendlier fables with "Jack the Giant Slayer" and "Oz the Great and Powerful," tapping into their inner child while pushing virtual production and 3-D with theatrical flair. While the results have been mixed (it's hard to pull off innocence afte...

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    VFX Winner Rhythm & Hues Files for Bankruptcy, Underscores Sector's Economic Woes

    The fragile economics of the visual effects industry was front and center at last week's Visual Effects Society awards. And even the well-respected company, Rhythm & Hues, that spearheaded and supervised the extraordinary visual effects in Ang Lee's "Life of Pi" --which won best live action feature ...

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    'Life of Pi' Continues Tech Surge at Visual Effects Society Awards

    The big winner at the Visual Effects Society Awards with four wins was VES visonary award-winner Ang Lee's "Life of Pi," which clearly had the support of the room at the Beverly HIlton Tuesday night. Another big winner was "Brave," which swept the four top animation categories. As for star presence,...

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    Now and Then: 'Side by Side,' I'll Still Take Film Over Digital

    Smart, wide-ranging, and informative, "Side by Side" may be a postcard from the future of movies, but it's still intoxicated by the past. Its dreamiest moment comes at the outset, a montage of clips from the first century of cinema: Eadweard Muybridge's horses to "Do the Right Thing."

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