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VFX

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    In the Works: Returning to Kurelek's Maze

    Bob Young and his two sons were lured into making successive films about The Maze artist William Kurelek, reports Bill Desowitz:It's easy to get sucked into The Maze, the surreal and nightmarish Bosch-like painting that Canadian artist William Kurelek (1927-1977) created as a mental patient in England in 1953. Comprised of 17 panels, it's a naked glimpse into his troubled mind. The Maze is so powerful and dynamic, in fact, that it ensnares you more like a movie or graphic novel than a painting. No wonder award-winning director Bob Young (The Ballad of Gregorio Cortez, The Eskimo: Fight for Life) was inspired to document Kurelek's complex life...

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    Geeking Out with Cameron at the 3D Summit: Titanic, Avatar, Theme Parks

    This week, in his Immersed in Movies column, Bill Desowitz talks to James Cameron at the 3D Summit. Don't try to convince James Cameron that 3-D is faltering. He's still a true believer, despite some recent 3-D blowback. He laughed if off as growing pains and negative media spin at the 3D Entertainm...

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    Visual Effects Society Issues Bill of Rights to Combat Downward Spiral

    Despite the fact that VFX and animated films rule the box office every year, the Visual Effects Society, representing 2,400 members in 23 countries, wants to foster change related to deteriorating quality of life issues for individuals, while leveling the playing field for facilities.

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    Fall/Holiday Preview: Five Glorious VFX Films to Watch, None Set in Present

    Bill Desowitz lists five VFX films to watch this fall and winter season, and the reasons why:With all due respect to the highly-anticipated The Twilight Saga: Breaking Dawn-- Part 1 and Mission: Impossible-- Ghost Protocol, in which Edward and Bella and Tom Cruise's Ethan Hunt spiritually go to hell...

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    Another Trip to the Moon with Méliès: Behind the Digital Restoration of VFX Landmark

    While waiting for Hugo (Nov. 23), Martin Scorsese's 3-D valentine to Georges Méliès, TOH columnist Bill Desowitz writes a fascinating account of how digital advances made possible the painstaking restoration of the first movie blockbuster from the father of special effects, A Trip to the Moon (1902)...

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    D23 Expo Adds Two New Pixar Pics on Dinosaurs and the Inner Mind, Promos John Carter, The Avengers

    The warmth in the Anaheim Convention Center Hall at D23 for Pixar and Disney animation czar John Lasseter was expressed, loudly, with a standing ovation. Also getting one was Billy Crystal (make him Oscar host already!), who's back with John Goodman in Disney/Pixar sequel Monsters University (2013)....

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    Ridley Scott: From Alien Reboot Prometheus to Blade Runner Sequel

    The highlight of Comic-Con, bar none, was Ridley Scott's Prometheus footage. While Fox and Scott are downplaying the sci-fi space thriller's relationship to the original Alien and the kick-ass James Cameron sequel Aliens, there's no question this movie is grown from the same DNA; Scott admits it. Th...

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    Mid-Year Oscar Watch: Top Five Visual Effects Contenders

    It's a good thing that the Academy is guaranteeing five VFX slots this year, as there's a plethora of candidates vying for them, reports Bill Desowitz in his weekly TOH column covering Hollywood below-the-line crafts, animation, and VFX . In fact, he's already got five frontrunners. After last week'...

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    Who Gets Credit for Rise of the Planet of the Apes?

    Now that word-of-mouth has caught up with Rise of the Planet of the Apes, which is well on its way to being a huge global hit, folks will be lining up to take credit for the picture. Who deserves the credit for how well this turned out?

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