Press Play's first video mash-up contest, with a prize and everything.
Read More »Bryan Singer's "Superman Returns" is no masterpiece. The movie's first act is hobbled by weird misjudgments (including a criminally underused Eva Marie Saint as Ma Kent), and it's so choppy that it seems to have been edited with a meat axe. Kevin Spacey's snidely campy performance as Lex Luthor unba...
Read More »What does it mean to be a father? What does it mean to come of age without a father? These questions have been at the center of many Steven Spielberg films. Both light entertainments and dark historical dramas have considered them. The director’s evolving views on fathers and fatherhood are on surpr...
Read More »Annals of film history are filled with masterpieces that never were. Cineastes spend many a sleepless night thinking of Stanley Kubrick’s unproduced epic on Napoleon’s life. Film historians still search every nook and cranny to possibly locate Orson Welles’ first cut of The Magnificent Ambersons....
Read More »The antagonist, in Steven Spielberg’s films, has many faces. It can be government scientists involved in seemingly shady plots. It can be unstoppable behemoths such as the shark in Jaws or the tanker truck in Duel. Warped ideologies, as in Schindler’s List. Or the tangled and self-defeating all...
Read More »Steven Spielberg is one of the most popular storytellers of all time. Based solely on box-office receipts, that’s an inarguable fact. It's been true since 1975, when the box office take of his breakthrough Jaws redefined the the word "blockbuster." Look at the top grossing movies of all time, ...
Read More »If there is one recurring image that defines the cinema of Steven Spielberg, it is The Spielberg Face. Eyes open, staring in wordless wonder in a moment where time stands still. But above all, a child-like surrender in the act of watching, both theirs and ours. It’s as if their total submission to ...
Read More »Editor’s Note: Press Play is proud to debut part three in Matthias Stork’s Chaos Cinema, the latest installment in an ongoing consideration of a phenomenon that Stork defined in two video essays that ran on this site in August, 2011. His first two chapters touched off a firestorm of debate that’s st...
Read More »Press Play is proud to announce our first video essay series in direct partnership with IndieWire: "Magic and Light: The Films of Steven Spielberg." Set to premiere Dec. 15, 2011 on this blog, this series will examine facets of Spielberg's movie career, including his stylistic evolution as a direct...
Read More »EDITOR'S NOTE: To mark the opening of Jim Henson's Fantastic in July 2011, Matt Zoller Seitz and Ken Cancelosi created Never Before, Never Again: Henson and Oz, a video essay which describes the nature of that long and fruitful collaboration between Jim Henson and Frank Oz. Press Play is re-posting...
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