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video essay

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    FESTIVAL VIDEO: Rotterdam Sunset Chat with IndieWire Press Play + The House Next Door + Cine Qua Non

    The International Film Festival Rotterdam (IFFR) has been called a cinephile’s festival. This year’s edition (January 25-February 5) is living proof. Indiewire/Press Play editor-in-chief Kevin Lee talks with fellow critics Aaron Cutler (The House Next Door/Cine Qua Non) and Michal Olesz...

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    VIDEO ESSAY WITH FEATURE: Brian De Palma's RAISING CAIN RE-CUT

    Raising Cain Re-cut is my attempt to approximate Brian De Palma’s original vision of Raising Cain, before the director chose to compromise its structure in post-production. The re-cut uses all of the scenes in the theatrical release and puts them back in the order they were intended, giving rise to ...

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    VERTIGOED: A Press Play mash up contest

    Press Play's first video mash-up contest, with a prize and everything.

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    VIDEO ESSAY: DEEP FOCUS: SUPERMAN RETURNS, Angel of America

    Bryan Singer's "Superman Returns" is no masterpiece. The movie's first act is hobbled by weird misjudgments (including a criminally underused Eva Marie Saint as Ma Kent), and it's so choppy that it seems to have been edited with a meat axe. Kevin Spacey's snidely campy performance as Lex Luthor unba...

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    VIDEO ESSAY: MAGIC AND LIGHT: THE FILMS OF STEVEN SPIELBERG - Chapter 6: Indiana Jones and the Story of Life

    What does it mean to be a father? What does it mean to come of age without a father? These questions have been at the center of many Steven Spielberg films. Both light entertainments and dark historical dramas have considered them. The director’s evolving views on fathers and fatherhood are on surpr...

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    TRAILER: Terrence Malick's TREE OF LULZ (Hey, it could have happened. . .)

    Annals of film history are filled with masterpieces that never were. Cineastes spend many a sleepless night thinking of Stanley Kubrick’s unproduced epic on Napoleon’s life. Film historians still search every nook and cranny to possibly locate Orson Welles’ first cut of The Magnificent Ambersons....

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    VIDEO ESSAY: MAGIC AND LIGHT: THE FILMS OF STEVEN SPIELBERG, Chapter 4: Evil and Authority

    The antagonist, in Steven Spielberg’s films, has many faces. It can be government scientists involved in seemingly shady plots. It can be unstoppable behemoths such as the shark in Jaws or the tanker truck in Duel. Warped ideologies, as in Schindler’s List. Or the tangled and self-defeating all...

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    VIDEO ESSAY: MAGIC AND LIGHT: THE FILMS OF STEVEN SPIELBERG: Chapter 1: Introduction

    Steven Spielberg is one of the most popular storytellers of all time. Based solely on box-office receipts, that’s an inarguable fact. It's been true since 1975, when the box office take of his breakthrough Jaws redefined the the word "blockbuster." Look at the top grossing movies of all time, ...

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    VIDEO ESSAY: Moment of wonder: THE SPIELBERG FACE

    If there is one recurring image that defines the cinema of Steven Spielberg, it is The Spielberg Face. Eyes open, staring in wordless wonder in a moment where time stands still. But above all, a child-like surrender in the act of watching, both theirs and ours. It’s as if their total submission to ...

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