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video essay

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    VIDEO ESSAY: Gliding Over All: The Cinematography of BREAKING BAD, Season 3

    Dave Bunting Jr.’s video essay on Season 3 of "Breaking Bad" opens with time-lapse landscapes, which are de rigueur establishing shots in TV these days. Here, though, they are uniquely awe-inspiring, in part for their exotic nature, and in part for how they seem to breathe life into everything.

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    VIDEO ESSAY: The End of Violence: The Conclusions of Clint Eastwood

    It took me years to learn how to watch a Clint Eastwood movie. For one thing, I tended to watch them far apart and to rely on memory of earlier films to prepare myself for current ones. But given the gaps in time between viewings, I should have been more suspicious of how I remembered them.

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    VIDEO ESSAY: Breaking the Fourth Wall

    Oh, hello there, reader. I know why you’ve come. You’re here at Press Play to watch Leigh Singer’s awesome supercut of fourth-wall-breaking moments in cinema, aren’t you?

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    VIDEO ESSAY: From the Panel to the Frame: Style and Scott Pilgrim

    Why do the same concepts get recycled and reinterpreted in so many different media, and what does that do to storytelling? Filmmaker Drew Morton poses that question in his video essay “From the Panel to the Frame: Style and Scott Pilgrim.”

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    VIDEO ESSAY: Beautiful Nightmares: David Lynch's Collective Dream

    David Lynch could be a wonderful stage director. Crazy to say, perhaps, but perhaps not.

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    VIDEO ESSAY: Why SILVER LININGS PLAYBOOK Should Win Best Picture

    Why is a modern-day screwball comedy the best of the Oscar nominees? Because it’s a revealing reflection of the world we live in.

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    VIDEO ESSAY: Who Should Win the Oscar for Best Lead Actress

    Some Best Actress contenders seem to be nominated for their roles more than for their performances, but the most deserving actress is a smart exception.

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    VIDEO ESSAY: Gangster Culture in the Movies

    "He used to be a big shot." That's how a gangster's girlfriend describes him as she cradles his corpse at the end of "The Roaring Twenties." But the line could be plugged into any gangster film that ends with a tough-talking, two-fisted, hot-tempered alpha male cooling his heels in prison, frying in...

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    VIDEO ESSAY: ON THE Q.T., CHAPTER 4: KILL BILL: The Female Archetype vs. The Goddess

    Withhold information, then release it. Set up expectations, then subvert them. Tease, then gratify. This is how you construct an epic. This is how Quentin Tarantino, block by block, builds up "Kill Bill."

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    ON THE Q.T., CHAPTER 3: JACKIE BROWN: Quentin and Pam's Big Score

    Things don’t look good for Beaumont Livingston. His self-proclaimed benefactor, Ordell Robbie, has just posted $10,000 to bail bondsman Max Cherry in exchange for Beaumont’s release.

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