Celebrating 17 Years of Film.Biz.Fans.

Video

  • Thompson on Hollywood
    1 comment
    tweet
    0

    TIFF Interview: Inarritu Expected Biutiful, Starring Bardem, to "Provoke Extreme Reactions"

    Biutiful, Alejandro Gonzalez Inarritu's long-awaited follow-up to Babel (which scored seven Oscar nominations in 2007 including best picture), came into Toronto with a stateside distrib (Lionsgate's Roadside Attractions), and played well here. Javier Bardem's performance as a down-and-out psychic in...

    Read More »
  • Thompson on Hollywood
    0 comments
    tweet
    0

    Rabbit Hole Clip

    Check out this clip from Rabbit Hole, which was acquired by Lionsgate at Toronto as a 2010 Oscar contender.

    Read More »
    MORE: Video
  • Thompson on Hollywood
    0 comments
    tweet
    0

    Lionsgate Goes for Oscar Gold on Rabbit Hole, Starring Kidman

    Lionsgate is diving back into the Oscar race--this is the studio that delivered the Oscar-winning Precious--by acquiring North American rights to John Cameron Mitchell's Rabbit Hole, starring Nicole Kidman, Aaron Eckhart and Dianne Wiest, which debuted in Toronto September 13. The movie, adapted by ...

    Read More »
  • Thompson on Hollywood
    0 comments
    tweet
    0

    TIFF Between a Rock and Hard Place: Boyle and Franco Talk 127 Hours

    I interviewed 127 Hours producer Christian Colson and writer Simon Beaufoy, the same team who worked with Danny Boyle on Slumdog Millionaire, just before my flipcam chat with Boyle and James Franco (below).

    Read More »
  • Thompson on Hollywood
    0 comments
    tweet
    0

    IFC Makes Second Toronto Buy: Herzog's Cave of Forgotten Dreams, in 3-D

    IFC Films has acquired all U.S. rights (except TV) to Werner Herzog’s 3-D documentary Cave of Forgotten Dreams, which explores the ancient walls of Chauvet-Pont-d’Arc cave in the south of France. Herzog was able to get access to areas that have been off-limits by deploying special no-heat lights.

    Read More »
  • Thompson on Hollywood
    0 comments
    tweet
    0

    TIFF: Tony Goldwyn Talks Conviction, Betty Anne Waters, Hilary Swank, Sam Rockwell

    At this year's Toronto Film Fest, indieWIRE interviewed filmmakers and stars at Live at the Lounge every day. In my talk with Conviction director Tony Goldwyn (video below), he admitted, as David Schwimmer had several days earlier with rape drama Trust, that serious dramas are the hardest films to f...

    Read More »
  • Thompson on Hollywood
    3 comments
    tweet
    0

    TIFF: Affleck Talks The Town

    After playing Venice and Toronto, Ben Affleck's sophomore directing effort The Town, in which he stars himself this time, opens Friday. It's a straightforward entertaining character-driven genre piece set in Boston based on a novel by Chuck Hogan about a Charlestown gang of bank robbers who are unde...

    Read More »
  • Thompson on Hollywood
    1 comment
    tweet
    0

    Venice Wrap: Best of Fest, Winners and Losers, Golden Lion Goes to Somewhere

    The Venice Film Festival, the oldest in the world, is winding up its 67th edition, my first. (UPDATE: The Golden Lion award went to Sofia Coppola's Somewhere on Saturday amid charges of favoritism on the part of jury president Quentin Tarantino; they once dated.) Venice is more intimate than Cannes,...

    Read More »
  • Thompson on Hollywood
    1 comment
    tweet
    0

    Exclusive Clip: Never Let Me Go

    Pre-Toronto, we're happy to reveal a new, exclusive clip of Never Let Me Go (here's TOH's positive review). Director Mark Romanek and writer Alex Garland's adaptation of Kazuo Ishiguro's novel features Carey Mulligan, Keira Knightley and Andrew Garfield as students of Hailsham boarding school, a mys...

    Read More »
  • Thompson on Hollywood
    1 comment
    tweet
    0

    Fassbender/McQueen Reunite, Studio Critique, Love And Other Drugs, Mulligan Talks Never Let Me Go

    - The Guardian calls Hollywood's summer box office victory - approximately a 2.4% lead on 2009 - a hollow one; "the abiding memory of summer 2010 will be of a decline in standards" (the standards of storytelling, not technical effects). The arguments behind this hollow victory include the decline in actual people in theatre seats (lowest since 1997) and the rise in revenue (thanks, 3-D), the root of which conflicts with studios' growing challenge to stay relevant amongst growing sources of alternative entertainment (if they're only making movies for profit, they're undermining the argument for preserving the relevance of film). The Guardian a...

    Read More »

Recent Posts


  • Who Should Play Garbo and Dietrich?Thompson on Hollywood
  • Ranking the House Down: Our Squirrel .../Bent
  • Box Office Prediction & Analysis: "A ...Box Office Insider