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Weekend Box-Office

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    Weekend Box Office: 'Pirates 4' Scores Biggest Global Debut Of All-Time Despite Being A Shitty Movie

    This weekend, Disney pooled their resources with Jerry Bruckheimer and produced an insta-blockbuster. Apathy is the name of the game with “Pirates Of The Caribbean: On Stranger Tides,” which scored the biggest bow of 2011 despite being a piece of shit that grossed lower in its opening frame than its...

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    Weekend Box Office: 'Thor' Holds #1 With $34.5 million, 'Bridesmaids' Surprises

    If you enter the blockbuster business in Hollywood, you essentially enter the $80 million opening weekend business. Which is to say, it’s part of a pray/hope/accept/die model. Considering most blockbusters cost $150-$200 million, with marketing sometimes adding up to $100 million, a 3x’s multiplier after an $80 million opening ($240 million) might be the best-case scenario, unless you‘ve released a much-better-than-expected film (not likely). You double that number with overseas receipts, you’ve potentially got $480-$500 million worldwide on a possible $300 million expenditure. The studio earns 55% of that take, meaning that you’ve approached...

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    Weekend Box Office: 'Thor' Soars, Romcoms Prosper, 'Beaver' Gets Plugged

    As far as blockbuster debuts go, “Thor” didn’t perform too badly. The first big release of May thundered its way to a $66 million weekend, slightly above what industry analysts predicted for the God of Thunder. The film benefited from the biggest 3D berth of any major release...

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    Weekend Box Office: 'Fast Five' Starts Off Summer With $83 Million Weekend

    Hooray for Hollywood, or something. The 2011 box office finally snapped out of its doldrums with more reheated crap, “Fast Five” opening to a spectacular-for-Universal $83 million. The car blockbuster’s weekend surpasses “The Lost World: Jurassic Park” as the biggest opening weekend in Universal his...

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    Weekend Box Office: 'Rio' Defeats 'Madea' Before The Summer Onslaught Begins

    Hollywood doesn’t really recognize the seasons as clearly as you. Which is why even though you’re in school, summer begins in May, and even though you still have a full month of spring, that period usually closes in Hollywood around this time every year. In 2011, “summer” is beginning even earlier w...

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    Box Office: 'Rio' First 2011 Release To Crack $40 Million Opening Weekend; 'Scream' Goes Quiet

    There’s no way to sugarcoat this: it’s been a dismal year at the box office. Studios have their fingers crossed in regards to a tepid-looking summer schedule, but many were hoping the season could be kick(punch)-started early with a strong April, as two new films were tracking well over $40 million ...

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    Weekend Box Office: 'Hop' Defeats Four Newcomers; 'Your Highness' Flops Loudly And Rudely

    Earlier in the year, the tepid box office returns were something to be ignored, as 2011 was competing with the previous year, with both “Avatar” and then the anomaly of “Alice In Wonderland” each raking in a cool billion. Well, it’s April, and it’s time for Hollywood to panic. There have been no genuine out-of-the-box hits so far this year and lots of flops, and the two (barely) $100 million grossers considered underperformers (“Rango” and “Just Go With It”). Let’s face it, part of it is a failure of marketing, but the blame must be laid on inadequate product. Even when it comes to the early year doldrums, this has been a banner year for garb...

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    Weekend Box Office: Kids Come Out For 'Hop,' 'Sucker' Thoroughly 'Punch'ed

    While Universal’s animated division remains behind Disney and Dreamworks, “Hop” became their second straight surprisingly big opening this weekend, collecting $39 million. Most called the heavily-promoted film in the high 20’s, low 30’s, but like “Despicable Me” before it, the film definitely connected with family audiences in its first frame. While “Despicable Me” eventually collected $544 million globally with a much bigger opening, “Hop” isn’t expected to bust the doors down. But due to the seasonal and family appeal, expect this thing to have legs, and while they initially weren’t counting on $100 domestic, that should be easily surmounta...

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    Weekend Box Office: Zack Snyder & Warners Get 'Sucker Punch' From 'Wimpy Kid'

    Demographics matter. You want to say, well, screw the numbers, let’s just make a movie for everyone! But considering the multiple sources of entertainment in our multimedia worlds, whatever doesn’t automatically turn us on will turn us off. Because of this, Zack Snyder’s “Sucker Punch” turned people off. It was an action fantasia, a genre normally attractive to teenage boys, but it featured only girls, an immediate turnoff for that demographic. And it didn’t appeal to women, who noticed the marketing campaign centered around cacophonous violence and mayhem, not usually a drawing point for females. It wasn’t made for kids, but the heavily-CGI’...

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    Weekend Box Office: Liam Neeson 'Unknown' No Longer As Thriller Bests 'I Am Number Four'

    Hey, have you heard of “Taken”? Moviegoers (who helped the film gross $145 million domestically even after seeing an expansive worldwide release - take that, piracy!) certainly do. Hence, “Unknown,” the latest in what is becoming the Liam Neeson Action Line, looks poised to do a decent $21 million. ...

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