There was plenty to see in Toronto. Here's how the films shook out for me.
Read More »If industry-watchers didn't see it coming, they figured it out at this year's Toronto Film Festival.
Read More »I was lining up to see designer Tom Ford's first feature A Single Man this morning as the deal was closing for The Weinstein Co. to release the picture. This acquisition title has generated more heat than anything else so far. (Critical buzz is also strong on Get Low, but buyers seem to be holding b...
Read More »The Weinstein Co. has been moving around the release date of The Road, trying to figure out what it has. Well, post-Venice and Telluride, where the film earned mostly glowing reviews, it looks like Harvey and Bob Weinstein are going for a holiday play after all on a prime awards season spot, Novembe...
Read More »The one year that I covered the Hollywood side of the Vanity Fair New Establishment List, I found that the final list reflected less accurate reporting than who was a possible cover subject or socialized with editor Graydon Carter. This year the nasty economy allowed VF to trim some familiar names w...
Read More »Signaling that it is in the hunt and willing to pay for projects, The Weinstein Co. has pre-bought various international and North American rights to The King's Speech, Tom Hooper's biopic about King George VI (father of Queen Elizabeth II), who suffered from a severe stammer. Geoffrey Rush plays th...
Read More »The Final Destination got a major lift from premium 3-D ticket prices as rivals cried foul, "no fair." The Weinstein Co. inexplicably competed with itself as Rob Zombie's Halloween II came in third after strong second-week holdover Inglourious Basterds.
Read More »Check out this unused Inglourious Basterds poster submitted by James Goodridge and passed on by the Weinsteins.
Read More »In Indie news, despite Inglourious Basterds' rousing start, the Weinsteins aren't out of the woods. They weren't taking any chances. They upped their media spend by several millions in the week before the opening, targeting their weakest link, women. It worked. The WSJ explains why the Weinsteins fa...
Read More »Quentin Tarantino's Inglourious Basterds opened strong Friday night, raking in an estimated $14.3 million. (We'll see how it holds.) Reviews were mixed, 69 on Metacritic. Richard Corliss, Roger Ebert and Jim Hoberman were thumbs up on this cinephile's fantasy, while Ken Turan, David Denby and Manohl...
Read More »