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Women in Film

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    Mindy Kaling Makes Impertinent and Incisive Digs at Hollywood

    In an interview with NPR, The Office's Mindy Kaling, who writes and produces the TV comedy as well as starring as "perpetual teenager" Kelly Kapoor, displayed her unique and subtle understanding of the absurd logic of American pop culture. Among other brash statements, she hails the art of the diet...

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    Obit: Pioneer Sue Mengers Was Hollywood's Most Powerful Woman Agent

    The minute I learned that legendary ICM agent Sue Mengers had died, I contacted Elaine Dutka, who had memorably profiled the uber-agent for the LA Times. Here's Dutka's obit. Sue Mengers, the first female agent to penetrate the Hollywood boy's club, died Saturday at her Beverly Hills home. Flamboyan...

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    Thirty Faces of Comedy

    And they're all Amy Poehler! New York Magazine posts a slide-show of Polaroid tests for thirty of Parks and Recreation comedienne Amy Poehler's characters. She performed them for the comedy-troupe Upright Citizen's Brigade, profiled by the magazine this week.

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    Oscar Watch: Glenn Close Talks Gender Bender Albert Nobbs

    Albert Nobbs is a 30-year labor of love for Glenn Close, who won an Obie for Simone Benmussa’s 1982 stage play based on a story by George Moore about a straight woman who passes as a male butler in a Dublin hotel in order to survive. Ever since, Close has been trying to turn the story into a movie, and finally pushed it through with actors’ favorite Rodrigo Garcia (Mother & Child) at the helm, thanks to some Fort Worth investors who were impressed that Close had some of her own skin in the $8 million venture. The film shot in chilly Dublin in 32 days. "The story seemed so psychologically modern," says Close, ...

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    Geena Davis, Callie Khouri and Mimi Polk Gitlin Talk Thelma & Louise at 20

    The Academy celebrated the 20th anniversary of Thelma & Louise August 25th by screening a splendid new print of the iconic Ridley Scott movie that turned the traditional buddy movie on its head. I moderated a Q & A with Geena Davis, Callie Khouri and producer Mimi Polk Gitlin afterwards; highlights ...

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    Oh The (Female) Horror! Viscera Film Festival Launches in LA

    The Viscera Film Festival, featuring horror shorts made by femme directors, launches this weekend in Los Angeles. Running the gamut from hard-to-watch gross-out gore to slowly suspenseful, this festival proves that “women can be just as twisted, emotionally grinding, terror-inducing and splatter spe...

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    Cholodenko Hosts AFI Directing Workshop for Women Showcase

    The AFI has long supported fattening the ranks of working women directors--still too thin--with its Directing Workshop for Women. Cari Beauchamp covered Monday night's showcase of recent grads, hosted by Lisa Cholodenko.Lisa Cholodenko (The Kids are All Right) opened Monday's AFI showcase at the DGA Theatre and soon had the audience laughing with the tales of serving as an assistant at AFI in the early 90s. She claimed she was totally inept at her job, but used the opportunity to thoroughly study the resumes and proposals of all the applicants to the DWW to learn how to “present” herself, Having learned her lessons well, she got into Columbia...

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    How Rookie Director Tadjedin Made Miramax/Tribeca's Last Night, Starring Knightley

    Last Night is a high-profile test of new indie distributor-on-the-block Tribeca Films' video-on-demand model. Screening April 25 at the Tribeca Film Festival following its Toronto Fest debut, the movie was released on VOD on April 20, opening night of the Fest, and will open theatrically in limited ...

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    Gender Imbalance in Media, Geena Davis, Broken Models of Masculinity & Femininity

    In December we applauded Geena Davis's Institute on Gender in Media, which she founded after having a daughter in 2004 and became aware of how growing girls are represented and hypersexualized on screen, long before they have to confront the issue of how grown women are shown. Davis was astonished b...

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    Anna Faris and Women at the Movies: Not a Pretty Picture

    In last week's issue of The New Yorker, Tad Friend cleverly uses a profile of comedienne Anna Faris ("Funny Like a Guy") as a way to examine the woeful state of women's roles in Hollywood today. He interviews Stacey Snider, Amy Pascal, Judd Apatow and others as he attempts to understand why Hollywoo...

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