Dana Harris is the Los Angeles-based Editor-in-Chief and General Manager of Indiewire. She’s covered the film industry for nearly two decades, including 11 years at Variety in roles that included film reporter, creating lifestyle section Variety Weekend and editor of Variety.com. You can follow her @TheKnife.
James Israel is the Los Angeles-based Publisher and Vice President of Sales for Indiewire. He began his career at the company in 2001 as Managing Editor for Indiewire’s coverage of the Sundance Film Festival. James oversees advertising/sponsorship revenue as well as leads the sales development and business strategies. Also a filmmaker, James has had his films screen at numerous festivals, including South by Southwest, the Hamptons International Film Festival, Woodstock Film Festival and more.
Born and raised in New York, IndieWire Editor-at-Large Anne Thompson has been a contributor to the New York Times, Washington Post, The Observer, and Wired. She has served as film columnist at Variety, and deputy editor of Variety.com, where her daily blog, Thompson on Hollywood, launched in March 2007. Anne was the Deputy Film Editor at The Hollywood Reporter, the West Coast Editor of Premiere, a Senior Writer at Entertainment Weekly, and West Coast Editor for Film Comment. She wrote the film industry column “Risky Business” for L.A. Weekly and the Los Angeles Times syndicate. A graduate of the Department of Cinema Studies at New York University, she has taught film criticism at USC and hosts the fall semester of “Sneak Previews” for UCLA Extension.
Eric Kohn is the New York-based Deputy Editor & Chief Critic at Indiewire, where he has worked since 2007. In addition to overseeing operations for IndieWire’s New York film team, he reviews numerous films throughout the year, oversees festival strategy and reports on the industry. Kohn travels to film festivals around the globe, interviews filmmakers and managed IndieWire’s network for professional film critics, the Criticwire Network. He also launched the Critics Academy initiative, a series of educational workshops for aspiring entertainment journalists, and teaches film criticism at NYU. Prior to joining IndieWire, Eric contributed to The New York Times and other outlets. He is the editor of “Harmony Korine: Interviews,” published by the University of Mississippi Press in 2014. Prior to joining Indiewire, Eric contributed to The New York Times and other outlets. He is the 2017 chairman of the New York Film Critics Circle and a member of the jury for Critics Week at the 2017 Cannes Film Festival. Follow him @erickohn.
Michael Schneider is the Executive Editor for Indiewire, Editor-At-Large for Variety and a contributor to Los Angeles public radio station KCRW, where he hosts The Spin-Off, a podcast about the TV industry, and contributes to The Business and Press Play. Prior to that, he was the Chief Content Officer for TV Guide Magazine, where he helped launch the website TV Insider. With more than 20 years experience covering TV business, Schneider often appears on news and entertainment shows as a television expert and moderates panels with industry execs, showrunners and talent. He also served as judge on a Fox Reality Channel show you probably didn’t see. Before TV Guide Magazine, he spent 12 years as TV editor of Variety and Daily Variety, and was the LA bureau chief for the weekly TV trade publication Electronic Media (later known as Television Week).
Kate Erbland is the New York-based Film Editor at Indiewire, where she writes and edits daily for the site. Kate is a former Associate Editor for Film School Rejects, and her previous work can be found at Vanity Fair, Cosmopolitan, Rolling Stone, The Dissolve, ScreenCrush, New York Daily News, Mental Floss, Bustle, Dame Magazine, Movies.com, Fandango, The Playlist, amNY, Vulture, MTV.com, Details.com, MSN Movies, Boxoffice Magazine, and Film.com. Follow her @katerbland.
David is the Senior Film Critic for Indiewire. Previously, he’s worked as a Staff Writer at Rolling Stone, the Associate Film Editor of Time Out New York, the Editor-at-Large of Little White Lies Magazine, and the Senior Editor of Film.com. As a freelancer writer, he has contributed to Slate, Vanity Fair, The Guardian, The Dissolve, The A.V. Club, and other outlets. He co-hosts the Fighting in the War Room podcast, and his annual video countdowns of the year’s best films have been viewed more than 2 million times. He obviously lives in Brooklyn.
Graham Winfrey is a film reporter at IndieWire. He was previously a staff writer at Inc. magazine, and has contributed to Slate, Business Insider, The Week, FilmLinc.com, FilmmakerMagazine.com and CNBC.com, among other publications. He began his career as an assistant at The Gersh Agency in Los Angeles.
Hanh was most recently West Coast Executive Editor for TVGuide.com, where she spent more than five years, spearheading coverage of events and high-profile shows. Before that, she was an Assistant Editor at Tribune Media Service’s Zap2it.com for eight years, contributing to the television, movie and pop culture coverage for the website. Hanh has also freelanced for spots including LA Weekly, CNET, Gamespot, Tech Republic, TV.com and IndieWire. Hanh is well-versed in all things food, and is a bonus resource for any and all restaurant tips. Hanh also had a very brief career as a voiceover dubber for anime (in English). Follow her @Hanhonymous.
Liz Shannon Miller is the Los Angeles-based TV Editor at Indiewire, and has been talking on the Internet about television since the very beginnings of the Internet. After studying film at USC, she worked for two years as a staff writer on G4’s “Attack of the Show,” wrote dialogue for the U.S. Army, covered the online video world as a tech reporter, served as web editor at Variety, and has been published by the New York Times, Comedy Central, The Wrap, Nerve and Thought Catalog. She is also a produced playwright, a host of podcasts, and a repository of “X-Files” trivia. Follow her @lizlet.
Ben Travers is the Los Angeles-based TV Critic at Indiewire, where he covers breaking news, writes reviews and provides extensive awards analysis related to today’s vital television projects. Prior to joining IW, Ben served as an Assistant Editor at PopMatters for nearly five years, worked as a production assistant for Walt Disney Pictures and also did some copyediting for various publications. A graduate of the University of Iowa, Ben holds degrees in both journalism and cinema. He is also an action movie aficionado with a soft spot for Sylvester Stallone. Follow him @BenTTravers.
William Earl is the New York-based Digital Director of Indiewire. Prior to joining the team, William worked for PMC (Indiewire’s parent company) as Senior Digital Editor, where he consulted on digital editorial strategy for brands such as Variety, Deadline, WWD and BGR. Prior to his work at PMC corporate, he was the Executive Editor of HollywoodLife.com, the company’s largest property which has a focus on celebrity news. In his free time, William is an obsessive devotee of Kanye West, horror films and the extended universe of Tim & Eric. Follow him @beautifulbill.
Steve Greene is the Los Angeles-based Special Projects Editor at Indiewire. In addition to managing the Criticwire Network, Steve has covered film festivals up and down the west coast, from Vancouver to Palm Springs. He’s also moderated a number of panels and post-screening discussions around his adopted hometown of Los Angeles. When he’s not consuming unhealthy amounts of pop culture, Steve is an occasional performer, baseball game attender and trivia team member. Follow Steve @stevebruin.
Zack Sharf is the New York-based Social Media Editor at IndieWire, where he is responsible for providing editorial support to the site’s team of editors. In this role, Zack contributes to the site’s daily news flow, as well as pitches larger editorial pieces and covers special events. Prior to joining IW, he received his B.A. in Media Studies from Emerson College, where he worked the Boston press circuit for three years as Managing Editor of the school’s film organization, Reel Reactions. Zack has also worked in the web and editorial department of NYC’s leading news station, WABC-TV. He has a sweet spot for “Before Sunset,” black labs, Julianne Moore and “The Iron Giant.” Follow him @ZSharf.
Bill Desowitz, the Crafts Editor at IndieWire, specializes in below-the-line and animation coverage, with an emphasis on Oscar and Emmy Awards season reporting/analysis. Owner of the former Immersed in Movies blog and author of James Bond Unmasked, featuring interviews with all six Bond actors. Previously editor of Animation World Network and VFXWorld and managing editor of Animation Magazine.
Jason Gonzalez is the New York-based Director of Sales & Sponsorships for Indiewire. He handles ad sales campaigns and sponsorships ranging from theatrical and DVD releases to Awards Season and filmmaker-centric initiatives. Prior to joining IW, Jason was at IFC Films, where he served as the Marketing and Publicity Coordinator, working on a diverse slate of theatrical and VOD releases, including Cristian Mungiu’s “4 Months, 3 Weeks, and 2 Days,” Gus Van Sant’s “Paranoid Park,” Guy Maddin’s “My Winnipeg,” Madonna’s “Filth and Wisdom,” and Ken Loach’s “The Wind That Shakes the Barley.”
Natalia Winkelman is the New York based Sales Planner at Indiewire, where she is responsible for coordinating with clients to arrange all of Indiewire’s ad sales. Natalia recently received her B.A. from Columbia University where she studied film and psychology. As a student, Natalia wrote a movie review column for the Columbia Daily Spectator and held internships at MSNBC and the Maysles Film Institute. Natalia grew up in Boston and has a weakness for gnocchi, NYTimes crosswords, and Noah Baumbach.
*Portraits for Dana Harris, James Israel, Anne Thompson, Ben Travers and Steve Greene were taken by photographer Daniel Bergeron.