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Interviews

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    Discover the Wes Anderson Experience

    Upon this earth there are a few fortunate souls lucky enough to receive a role in a Wes Anderson film. In a series of interviews done round-table style after its recent Berlinale screening, the “Grand Budapest Hotel” cast members together suggested an on-set atmosphere not so different than the char...

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    Terence Winter Talks Working with Scorsese on 'Wolf of Wall Street' and 'Boardwalk Empire'

    "I even had Jordan come in to CAA to do one of those motivational speeches for me. He never had it on tape, so we filled up the conference room with assistants and agents. He was reluctant, it took a few minutes to warm up and become the guy in the movie. It was one of those amazing things to watch....

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    Talking 'Grandmaster' Costume Design with Oscar-Nominated William Chang

    William Chang is certainly "The Grandmaster" of production/costume design and editing in terms of his long-time collaboration with director Wong Kar-wai. And even though he's received his first Oscar nomination for costume designing the lyrical Ip Man martial arts extravaganza, you can't separate hi...

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    Zoe Kazan Talks Twin Roles Of 'The Pretty One' & How 'In Your Eyes' Is "Like Joss Whedon Does Nicholas Sparks"

    After winning the Best Actress Award at the 2009 Tribeca Film Festival for Bradley Rust Gray’s “The Exploding Girl,” Zoe Kazan added a big-budget rom-com (“It’s Complicated”) and more indie dramas (“Meek’s Cutoff”) to her resume, starred on Broadway (“A Behanding in Spokane”) with Christopher Walken...

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    Anatomy of a Scene: Revisiting 'Hang Me' from 'Inside Llewyn Davis'

    The opening of "Inside Llewyn Davis" is a remarkable achievement: It not only sets the melancholy mood of Greenwich Village in '61 with the eponymous singer (Oscar Isaac) performing "Hang Me, Oh Hang Me" at the iconic Gaslight, but it also sets us up for a confusing circular odyssey. I got the lowdo...

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  • Indiewire
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    Alicia Silverstone on Her Latest Film 'Angels in Stardust,' Acting on Broadway and the Impact of 'Clueless'

    Alicia Silverstone may look just as she did at the start of her career, but the Golden Globe-nominated star has certainly grown when it comes to her acting. With past work that ranges from independent cinema to big-budget studio films, from television series to the Broadway stage, from playing a bub...

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    Anatomy of a Scene: Solomon Northup Chained in '12 Years a Slave'

    One of the most important yet difficult decisions in Steve McQueen's "12 Years a Slave" was how to depict Solomon Northup (Chiwetel Ejiofor) waking up in bondage. Fortunately, they hit on the idea in the cutting room to tell it out of sequence, the result of which was disconcerting for Northup and v...

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  • The Playlist
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    Interview: Emma Roberts Talks 'Adult World,' Working With John Cusack & More

    At just 22, Emma Roberts (“It's Kind of a Funny Story,” “The Art of Getting By,” “Celeste and Jesse Forever”) is about the same age her aunt Julia was when she shot to stardom with the iconic hit “Pretty Woman.” But times have changed, and in Emma’s latest rom-com — Scott Coffey’s “Adult World,” whi...

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    Talking the 'Her' Score with Arcade Fire Oscar Nominee William Butler

    Oscar-nominated William Butler's first-time experience composing the wistful score for Spike Jonze's "Her" with his Arcade Fire partner Owen Pallett was a bit of a romance as well as a crash course in moviemaking. And yet the experience opened him up more intuitively to the collaborative process.

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    Anatomy of a Scene: Dissecting the Bravura 'Gravity' Opening

    The extraordinary 13-minute opening of Alfonso Cuaron's "Gravity" is like a mini-movie, setting up the zero-gravity world in space, the two astronauts played by Sandra Bullock and George Clooney, the mood, the tension, the crisis, and the metaphor. I break it down with Oscar-nominated cinematographe...

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