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Interviews

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    The Hobbit's Cast, And A Good Day for New Zealand Cinema

    While Peter Jackson and Warner Bros. deal with the issue of whether or not to shoot The Hobbit in New Zealand, the director has confirmed the casting of the film. (UPDATE: Video of Jackson and co-producer and co-writer Philippa Boyens' NZ TV interview below.)

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    Oscar Watch: Rockwell Nails Conviction Role

    Sometimes, there comes a moment in a working actor's life where just the right role suddenly galvanizes awards attention. I've been tracking Sam Rockwell since he broke out at Sundance in 1996 with Tim DiCillo's Box of Moon Light. Rockwell has been knocking out great juicy performances ever since--o...

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    Oscar Watch: Palm Springs, Santa Barbara Fests Push Oscar Hopefuls Like Mulligan, Franco

    It isn't news that Oscar campaigners take advantage of fall film fests in L.A. and NY that are designed to draw awards attention. MCN's David Poland rants about con-man Carlos Abreu's bogus Hollywood Film Festival (which I refuse to take seriously) and IFP's Gotham Awards, which are far more legitim...

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    Zuckerberg Denies Social Network Frame is Accurate

    In a "Startup School" conference at Sanford University, Facebook founder Mark Zuckerberg talks about how he dropped out of Harvard and how the The Social Network's framing device is the thing that's most wrong with the movie.

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    Weekly Wrap: Zimmer and Reeves Talk, Oscar Buzz Builds, Casting Franchises, Shifting Media

    INTERVIEWS- We analyze Let Me In's box office and awards potential and talk to Let Me In writer-director Matt Reeves.

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    What Went Wrong With Tamara Drewe?

    Something went terribly wrong with Tamara Drewe, an entertaining romantic comedy that played well at Cannes from one of the great Brit directors, Stephen Frears, starring hottie-on-the-rise Gemma Arterton. Sony Pictures Classics opened it last weekend to disastrous business: $19,300 on four screens,...

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    Oscar Watch: Hans Zimmer Talks Inception Score

    Christopher Nolan's Inception, which has crossed the $800-million mark worldwide, certainly will be one of this year's ten best picture Oscar nominees. Warner Bros. will bring the movie back into the public eye when it promos the DVD release in early December. One key contributor to the film's succe...

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    Trailer Watch: The Girl Who Kicked the Hornet's Nest, Rapace Interview

    Music Box Films is opening the third installment of the Swedish global hit Millennium trilogy (based on the Stieg Larssen novels), The Girl Who Kicked the Hornet's Nest, stateside on October 29.

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    Video: John Turturro Talks Naples Music Doc Passione

    Italian-American actor-director John Turturro is beloved by the Italians—Venice Fest audiences treat him like a huge star. In fact, ill-fated Romance and Cigarettes, which was caught in the backdraft at the end of United Artists, was such a hit in Italy that financeers stepped up to hire Turturro to direct a doc about the music of Naples. Passione is not unlike Fatih Akin’s Crossing the Bridge: it’s a “musical adventure” showcasing the music, old and new, of Naples, via a mix of old footage and new performances by the city’s top artists. The film was exhilarating, and more than one moviegoer walked out of the theater humming. I also admired T...

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    Director Lynn Shelton Talks AMC's Mad Men, MTV's $5 Cover Seattle

    Seattle-based indie director Lynn Shelton (Humpday) directed the latest Mad Men episode. She talks to TOH film critic Tim Appelo, who admires her style.Mad Men hit big this week with “Hands and Knees,” Episode 410, thanks to the last director you’d ever expect: Seattle’s Lynn Shelton, 45, a TV debutante and micro-indie autodidact who never went to film school. A stage actor from 11 to twentysomething, Shelton won Slamdance at 41 with her theatre satire and chick flick We Go Way Back. Todd Haynes and Ira Glass became fans. So did Mad Men main man Matt Weiner, who hired her the same day her Mike Leigh-style (and Judd Apatow-like) improvised 200...

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