The news of Aaron Sorkin’s disappearance from the writing credits of a production about the art of escapology reads like a shrewd meta-marketing strategy. Reported on Deadline yesterday, it is in fact a rather feeble casualty of circumstances, with Sorkin jumping ship from Broadway’s upcoming "Houdi...
Read More »Jon Stewart and the cast of The Daily Show are fond of saying they’re pretend journalists, even though they often do a better job of delivering actual news stories than the circus that is CNN. In this segment about the loss of investigative journalism -- too expensive, too ratings-c...
Read More »Coupled in recent years with both an Oscar-nominated biopic as well as a new TV series that could best be described as inconsistent, it's a peculiar case indeed when Aaron Sorkin's cinematic endeavors begin to reign over his other work in terms of quality and anticipation. Yet that's pre...
Read More »Walter Isaacson's bestselling Steve Jobs biography was nothing if not a door-stopper. So writer Aaron Sorkin's challenge was to figure out a way in: cradle to grave biopic? One slice? He went with something closer to "Slumdog Millionaire"'s ingenious way of using the questions as entries to parts of...
Read More »"The Newsroom" closed out its first season this past Sunday the way it began, with an episode -- "The Greater Fool" -- that brought back series premiere director Greg Mottola and showed off the precise mix of fiery idealism, incontestible santimoniousness and maddening ...
Read More »And so here we come to the end. "The Newsroom" arrived nine weeks ago with high expectations -- the return to TV of Aaron Sorkin, the man behind one of the best network TV series ever, "The West Wing," and a fairly fresh-minted Oscar winner for his screenplay for "The Social Network." The pilot was ...
Read More »Though not a strong episode, the season finale of "The Newsroom" was weirdly likeable by virtue of its commitment to sheer rom-com craziness. Because that is, for better or worse, what the show boils down to: A large serving of romance, with a side of news.
Read More »On TV at least, it feels like one of the major problems with Aaron Sorkin's writing, both on "Studio 60 On The Sunset Strip" and "The Newsroom," is that it seems like he'd still rather be writing "The West Wing." It's understandable. For one, he was unceremoniously fired from that show at the end of...
Read More »Sunday's all-new episode of "The Newsroom" was a moderate letdown from last week's strong episode, with promises of a mock debate barely materializing. But Sloan, the best thing about the Sorkin-scripted show, did get in a great one-liner: "Me? FUCK you."
Read More »Not to get too Will McAvoy about it, but one of the things we lament about the level of discourse on the internet is the way in which people seem to be more and more allergic to the very idea of nuance. We seem to live in a world where things can only ever be awesome or sucky, rotten or fresh. Certa...
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