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Aline Brosh McKenna

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    'The Devil Wears Prada' Scribe Aline Brosh McKenna To Rewrite 'Annie' Remake

    Hey, remember a year ago when Will Smith wanted Emma Thompson to write him a remake of the musical "Annie" for his daughter Willow Smith to star in? Well, apparently, it's still happening, but now Smith wants another writer to work on Thompson's script.

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    'Attack The Block' Helmer Joe Cornish To Direct Family Sci-Fi Adventure 'Rust'

    After making one of the most impressive debuts of last year with "Attack The Block," British writer-director Joe Cornish has, smartly, been taking his time to pick a follow-up. He's been courted by big, megabudget Hollywood projects, including "A Good Day To Die Hard" and "The Hunger Games: Catching...

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    We Bought A Zoo—movie review

    If your favorite descriptive word for a movie is “edgy,” you might want to skip this one. If, however, you like heartwarming—not cloying—stories about decent people, and hope to leave the theater feeling better than you did when you walked in, 'We Bought a Zoo' will be a welcome cup of holiday cheer...

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    Aline Brosh McKenna To Adapt Graphic Novel 'Rust' For 20th Century Fox

    There are quite a few screenwriters that we here at The Playlist think are incredibly overrated. Someone like Allan Loeb ("21," "The Switch") comes to mind, but Aline Brosh McKenna wouldn't be far behind him. She's a rom-com writing star, penning films like "27 Dresses" and "Morning Glory," though s...

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    Rachel McAdams Embraces Her Funny Side In 'Morning Glory'

    Screenwriter Aline Brosh McKenna Also Talks Cameron Crowe's 'We Bought A Zoo'The last time director Roger Michell was in New York, it was to shoot “Changing Lanes,” a dark character drama about two men who find themselves tragically intertwined after a car accident. So how did he get to “Morning Glory,” the new comedy from J.J. Abrams’ Bad Robot production house? “It had to rain every day on the film, we have to make it really rainy and dirty,” Michell recalls of the shoot. “Our strategy for this film was that, while you’re inside in these claustrophobic offices, you have to make the film really breathe, to make the film kind of have a spring...

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