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Japan

  • Women and Hollywood
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  • Indiewire
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    First Person: Why A Small Crew Can Actually Help You To Get The Shot

    Writer-director Jeff Jeffcoat writes about how he shot "Big in Japan" a semi-fictionalized rock and roll road movie about a struggling Seattle band, in Japan with a microscopic crew and non-actors.

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    Review: If Miyazaki's 'The Wind Rises' Is Really His Final Film, It's An Appropriate One

    Japanese animator Hayao Miyazaki has achieved status as one of the great filmmakers of his time, with a distinctive visual sensibility that has garnered comparisons to Walt Disney and a depth of imagination that defies any classification other than Miyazaki's own head. From "Princess Mononoke" to th...

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    Interview with Hirokazu Kore-eda, Director of ‘Like Father, Like Son’

    Written and directed by Hirokazu Kore-eda (After Life, Nobody Knows, Still Walking), Like Father, Like Son won the Jury Award at the 2013 Cannes Film Festival, and DreamWorks Studios has since optioned the remake rights for this moving family drama.

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    The Busan International Film Festival showcase the best in Asian and World Cinema

    Showcasing the latest films from across the region, the Busan International Film Festival is undoubtedly one of the most influential film events in Asia. Besides the incredible amount of films from all over the world, highlighting the continent’s most prominent nations in the cinematic la...

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