Young Argentine auteur Matías Piñeiro follows up his international sensation Viola with the latest of his revisionist takes on the Shakespearean canon, deliciously detailing how life begins to imitate art when a Buenos Aires theatre company mounts a radio version of Love’s Labour’s Lost. [Synopsis courtesy of Toronto International Film Festival]
A group of actors travel to an island in Tigre to rehearse William Shakespeare’s As You Like It. Luisa, who plays Rosalind in the play, terminates a current romantic relationship over her cell phone. During preparations she alternates between rehearsing and daydreaming, and starts to slowly embody Rosalind, transforming into the object of desire of other cast members on the island. During those sun-soaked hours, love strikes between the players and the roles between actress and character confuse themselves in a rare mixing of joyful artifice and anguishing uncertainty. But once rehearsals are over and everyone returns to reality, the romantic bliss between the cast members and their own partners awakens in her a, foolish and irrepressible, desire to long and hope for a phone call.