The Chilean film "No," written and directed by Pablo Larraín, is up for a foreign film Oscar this year. I hope it wins, if only to bring attention to an extraordinary film by an increasingly sophisticated director.
Read More »The following is a conversation about David Fincher's 2007 film "Zodiac." It was inspired by Twitter conversation about whether it is, in fact, an ambiguous movie, as many have claimed, or if it only seems that way; if it's open, closed, or somewhere in between.
Read More »"He used to be a big shot." That's how a gangster's girlfriend describes him as she cradles his corpse at the end of "The Roaring Twenties." But the line could be plugged into any gangster film that ends with a tough-talking, two-fisted, hot-tempered alpha male cooling his heels in prison, frying in...
Read More »Ben Affleck's third directing effort, "Argo," is funnier than expected, is expertly paced, and has a fantastic 70s look (the most convincing since Zodiac), plus knockout supporting performances by Alan Arkin, Bryan Cranston, and John Goodman in very colorful roles.
Read More »I’m glad I re-watched David Cronenberg’s 1986 version of "The Fly" on Blu-ray. I haven't watched it in decent resolution since I saw it in a theater on first release. It's still brilliant and perfect, and profoundly moving—maybe Cronenberg's greatest and most perfect film; a horror tragedy that does...
Read More »I worked with HitFix.com television critic Alan Sepinwall at the Star-Ledger of Newark for nine years, 1997-2006. We shared the TV beat together throughout that period, writing reviews and features, and collaborating on a daily column of news and notes titled "All TV."
Read More »This is Press Play Theater, a streaming video feature that showcases notable work by independent filmmakers in one-week exclusive runs. Our debut offering is God’s Land, the second feature by Long Island-based director Preston Miller.
Read More »Quentin Tarantino’s films treat talk as action; torrents of words spill out of his characters' mouths, defining and redefining them, in their own eyes and in the eyes of the world.
Read More »Cinematographer Harris Savides, who died yesterday at 54, was a poet of light. He shot some of the stylistically striking movies of the last two decades.
Read More »When I dashed off a little rant about snarky commenters who annoyed me during a revival screening of "From Russia With Love," I didn't expect it to strike a nerve. Apparently it did. I wouldn't take back any of it—I said what I said, and meant all of it. But I would like to clarify a few points in t...
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