To Die for Tano

A Mafia man of honor, Tano Guarrasi has moved up through the ranks of the Passo Rigano clan to terrorize his neighborhood. Famous for his violent, passionate character, Tano’s all-consuming jealousy has doomed his four sisters to spinsterhood — until the day he is murdered by a Corleonesi clan hit man during the bloody 1988 Mafia war. Now Tano’s sister Franca, a strong-willed, buxom woman in her forties, hopes to finally free herself from his violent legacy and find happiness and fulfillment by marrying her true love. But will she ever be able to truly liberate herself from Tano’s tyrannical spirit? [Synopsis courtesy of Leisure Time Features]

Lost Kisses

Manuela is a 13-year-old girl from the sprawling, dilapidated suburb of Librino in southern Sicily. She lives with her dysfunctional family and works sweeping floors in a hair salon. After the head of a Virgin Mary statue disappears, Manuela announces one morning that the Madonna appeared to her in a dream—and told her the whereabouts of the statue’s head! As news of the vision spreads, Manuela’s quixotic mother realizes there’s good money in miracles. But was it a miracle, or was Manuela just bored?

A playful satire, “Lost Kisses” feels like the collision of a moral tale and a fairy tale. Director Roberta Torre, whose prior work includes a musical about the Mafia, strikes a clever tone, mixing drab realism with sardonic humor, splashes of vibrant color, and fabulist flourishes (it’s an exceedingly bizarre hair salon). While the film plays with the idea of miracles in our image-obsessed material world, it is grounded emotionally in the relationship between mother and daughter. [Synopsis courtesy of the Sundance Institute]