Xavier Dolan
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Watch Xavier Dolan's Controversial Music Video For French Band Indochine's 'College Boy'
Quebec filmmaker Xavier Dolan has offered us something to hold us over in between films (his next, "Tom at the Farm," is in post-production now) with a stunning black-and-white music video for French band Indochine's single "College Boy" that is already stirring up considerable controversy.
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Spend The Weekend With All of Xavier Dolan's Films (and Dolan Himself) at the MoMA
For the first time, all three of Quebecois wunderkind filmmaker Xavier Dolan's films will be screening in a U.S. theater. This weekend, the Museum of Modern Art will screen Dolan's "I Killed My Mother," "Heartbeats" and "Laurence Anyways" as part of their Canadian Front series MoMA presents annually...
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Gus Van Sant Jumps Aboard Xavier Dolan's 'Laurence Anyways' As Executive Producer
Gus Van Sant has jumped aboard Xavier Dolan's "Laurence Anyways" as one of the film's executive producers. He joins Lyse Lafontaine, Nathanaël Karmitz and Charles Gillibert on the film's producing team.
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Xavier, Anyways: Quebec's Dolan On Making 'Laurence,' Returning to Cannes and Going Hollywood
It's been four years since Xavier Dolan first came to the Cannes Film Festival. Only 19 at the time, he quickly gained international admiration after his film, "I Killed My Mother," swept the awards of the festival's Director's Fortnight section.
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Review: Xavier Dolan's 'Heartbeats' Is A Stylish Love Triangle, But Emotionally Hollow At Its Core
The constant criticism being aimed at young, wunderkind Canadian director Xavier Dolan, is that the Montreal-based filmmaker -- while completely precocious and preternaturally talented -- puts too much of a premium and emphasis on style over substance. And yet, just because it's practically a cliche ad hominem dig against Dolan's films, it doesn't mean that the censure is off base. While featuring an impeccable soundtrack, a color palette ripped out of the Pedro Almodovar playbook for comedic melodramas, and an ineffable je ne sais quoi energy taken from the Jean-Luc Godard school of '60s filmmaking (though Dolan denies he's ever seen the fam...
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