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Awards
Reviews
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‘Emily the Criminal’
As the eponymous antihero at the heart of John Patton Ford’s slick and smart feature debut, Plaza continues her ascension to formidable leading lady.
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‘The Princess’
Ed Perkins’ remarkable film eschews many of the trappings we’ve come to associate with the modern documentary, and is all the better for it.
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‘The Sandman’
Neither dream nor nightmare, this long-awaited comic-book adaptation is a weary walking tour with a tiresome guide.
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‘Emily the Criminal’
As the eponymous antihero at the heart of John Patton Ford’s slick and smart feature debut, Plaza continues her ascension to formidable leading lady.
-
‘The Princess’
Ed Perkins’ remarkable film eschews many of the trappings we’ve come to associate with the modern documentary, and is all the better for it.
-
‘Free Chol Soo Lee’
Julie Ha and Eugene Yi’s film about a wrongly incarcerated immigrant is both heartbreaking and uplifting.
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‘The Sandman’
Neither dream nor nightmare, this long-awaited comic-book adaptation is a weary walking tour with a tiresome guide.
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‘A League of Their Own’
Like a slow curveball that finds the heart of the plate, the Prime Video series is a reboot that takes its time connecting but ultimately hits home.
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‘Better Call Saul’
The last deep breath before the series finale, this hour written and directed by Vince Gilligan is filled with plenty of its own crucial, devastating goodbyes.
Videos
The Feed
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Television
Brett Goldstein Compares ‘Ted Lasso’ to ‘The Simpsons’ After Influx of New Characters
Goldstein says the hit Apple TV+ show has “so many characters that I’m sure weren’t thought of on day one.”
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Film
Quentin Tarantino’s Favorite Movies: 40 Films the Director Wants You to See
For Quentin Tarantino, “Dunkirk” and “The Social Network” are the top movies of the 2010s.
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Television
Lisa Kudrow Says ‘The Comeback’ Season 3 Unlikely: ‘We Don’t Know If HBO Wants It’
Kudrow says that despite some conversations with series co-creator Michael Patrick King, the cult favorite probably won’t be back for a Season 3.
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Film
From ‘Blonde’ to ‘Star Wars,’ Hollywood Needs to Accept Actors’ Accents (Column)
Diego Luna and Maria Bakalova talk to IndieWire about a lingering bias in the industry that has less to do with what people look like than how they sound.
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Awards
Taylor Swift, Kendrick Lamar, and More Big Names Have Shorts Officially Vying for Oscars Consideration
The Grammy-winning musicians both have films inspired by their music that are officially eligible for the Best Live Action Short Oscar.
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Film
Kate Bosworth: ‘Blue Crush’ Could Have Easily Been ‘Exploitative’ with Other Male Directors
“I think that a movie with girls running around in bikinis could be a different version than it was,” Bosworth said, “certainly in the early 2000s.”
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Film
‘Stay on Board’ Review: Trans Skateboarder Leo Baker Kickflips History
A promising skater leaves the limelight to live his truth in an engaging documentary that should end the trans athlete “debate” forever.
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Film
Anne Heche Was a Hollywood Radical — and Deserved More Credit for It
She faced biphobia, misogyny, and mockery for mental health issues. Her downfall is being covered like it’s still the 1990s.
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Television
The 15 Best ‘The Office’ Episodes, from ‘Casino Night’ to ‘Beach Games’
Even with 201 episodes to stream (and re-stream), TV lovers know you can never get enough of Greg Daniels’ Emmy-winning sitcom for NBC.
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Awards
Our Biggest Predictions for the 2023 Oscars Based on the Buzz So Far
The latest film festival announcements are as notable for the films they didn’t include as the ones they did.
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Television
How the Cinematography of ‘Evil’ Channels ‘Night of the Hunter’ and ‘Ida’
Cinematographers Petr Hlinomaz and Fred Murphy tell IndieWire about how their compositions and lens choices help create terror on “Evil.”
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Television
Watch ‘Lucy and Desi’ Team Share How They Brought the Ultimate 1950s Power Couple Into the 21st Century
To tell an authentic-yet-modern story about the “I Love Lucy” stars, director Amy Poehler recruited a truly elite crafts team to handle the music, editing, and sound.
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