Sundance: The playwright's first feature is a smart, scrappy riff on real-world frustrations about the impact of race and age on the storytelling process.
Sundance: Tara Miele’s trauma drama pulls from an ambitious well of inspiration, but its star is the film’s best weapon against an overstuffed plot.
Sundance: Triple-threat Blank mined her own experiences as a struggling writer for her comedy breakout.
From a sneaker-culture docuseries to an ASMR chillout show, Quibi wants to have it all. And creators love the licensing model.
Sundance: Josephine Decker follows "Madeline's Madeline" with a thrillingly delirious film about Shirley Jackson's poisoned writing process.
Wilde also tells Vulture how the fallout from her turn in "Richard Jewell" has changed the way she looks at incoming roles.
Sundance: "Newtown" director Kim A. Snyder follows the teen survivors of the Parkland shooting as they fight against American complacency.
Director Justin Simien and his cast discuss the influences on his Sundance premiere "Bad Hair," about a killer weave that just won't quit.
Sundance: Maite Alberdi’s delightful character study is about an old man undercover at a nursing home who discovers more than the job calls for.
Sundance: Jesse Moss and Amanda McBaine's look at a weeklong exercise in political campaigns is like the “Peanuts” of civic lessons.
"Ford v Ferrari" and "1917" are running neck and neck in the Oscar race for sound editing. Updated 1/25/20.
Sundance: David Bruckner's horror movie stars Hall in a no-holds-barred film that rewrites the rules of jump scares.
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