To escape the storytelling of the dominant culture, Saracho knew she had to resist two-dimensional characters: "We are the thing we are portraying."
The sketch comedy series with an all-black cast and writers' room was hilarious, smart on race, and just getting started.
Songwriters Thomas Mizer and Curtis Moore discuss the crafting of "Mrs. Maisel's" first original song in Season 3 for pop star Shy Baldwin (Leroy McClain).
For "The King of Staten Island," Apatow wanted more exciting camerawork, so he turned to one of the best in the business.
A&E and Paramount Network have put a pin in their popular reality series centered on law enforcement.
Édgar Ramírez and Michael Pitt are wasted in a deeply stupid sci-fi story about the future of American fascism.
Bao Nguyen says Tarantino wasn't coming from a bad place in "Once Upon a Time in Hollywood."
Screen Talk, episode 293: IndieWire's Tambay Obenson makes a special appearance on this week's episode to assess the industry's response to national unrest.
"We will do better to honor our actors of color," the showrunner said after "Riverdale" was called out by one of its own.
A vérité doc shot inside the Oakland Police Department, "The Force" is a portrait of police reform that proves its futility.
A constantly updating list of what's still getting done in film and TV.
Moss and her co-star Michael Stuhlbarg talk making "Shirley," a hallucinatory anti-biopic consistent with the work she has been doing all along.
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