More visually ambitious than ever after a switch to Amazon Prime Video, the fundamentals of what made this an enthralling saga for three seasons are all still there.
IndieWire Editor-at-Large Anne Thompson, Crafts Editor Bill Desowitz, and Toolkit Editor Chris O'Falt gather to discuss the year's best in visual effects.
Murphy's "Dolemite Is My Name" performance has drawn rave reviews, making him an Oscar contender for only the second time in a career that spans 40 years.
"The Mandalorian" staunchly refuses to tell an overarching story and none of its characters are interesting enough to make an episodic format work.
From Jennifer Lee to Lulu Wang, 19 women directors were among the top 100 films of 2019.
Screen Talk, episode 270: No matter who got snubbed by the Globes or SAG, there are other ways to celebrate the best movies of 2019.
Bob Clark's 1974 original set the standard for the slasher film; four decades later, the "Always Shine" filmmaker tells IndieWire about giving it a timely tune-up.
It's difficult to stand out in the increasingly competitive TV industry, but here are the networks and streaming services that did it best this year.
Greta Gerwig's "Little Women" and Lulu Wang's "The Farewell" are gaining traction in the awards derby. But a Best Director Oscar nomination is hard to come by for women.
These 12 female-directed horror movies bend the genre's well-worn tropes to expand the very definition of what a "horror movie" is.
If J.J. Abrams wanted the main characters to be together in "The Last Jedi," why did he split them up at the end of "Force Awakens"?
Aiello's performance in Lee's 1989 drama earned him Oscar and Golden Globe nominations for Best Supporting Actor.
