Sundance: In a quest to explore the vanity of the rock star's plight, the singer-songwriters have made a zany, unpredictable whatsit that turns it on itself.
Sundance: Andrea Riseborough hijacks Christopher Abbott's body in Brandon Cronenberg's gruesome thriller about identity in the digital age.
Roger Deakins took one step closer Saturday night to winning his second Oscar for lensing the continuous-shot "1917."
Sundance: Don't let the darkness of Emerald Fennell's twisted directorial debut scare you off. There's plenty of pleasure to be found in its bruising, pitch black humor.
With the Cinema Audio Society's notch in its belt, "Ford v Ferrari" could also win the Sound Mixing Oscar.
The winner of the Scripter often goes on to win Adapted Screenplay at the Oscars.
After losing Oprah Winfrey as a producer, Kirby Dick and Amy Ziering's doc has been beset by controversy. At its premiere, its subjects remained resolute.
Animation newbie Netflix dominated, with "Klaus" grabbing seven Annies and "I Lost My Body" snagging three. Will this shake up the Oscar race?
Sundance: Kirsten Johnson follows her acclaimed "Cameraperson" with a sharp meditation on death and family bonds.
The Directors Guild of America handed out its top prizes Saturday in Los Angeles.
Sundance: "American Beauty" writer and TV powerhouse Ball returns to film with a crowdpleasing dramedy about the pains of self-denial.
Nanette Burstein's bio-doc examines how sexism and conservative trolling mucked up a hero's journey, even if a historical redress remains out of reach.
