A Daily Beast story reveals the "A Ghost Story" producer's behavior was common knowledge in, and even abetted by, certain members of the Dallas film scene.
The "Midsommar" director is once again up to his typically subversive tricks.
The sequel, based on André Aciman's "Find Me," would put Stuhlbarg's Professor Perlman front and center.
The industry is still working on getting buy-in for all parties to coalesce around one set of rules.
To escape the storytelling of the dominant culture, Saracho knew she had to resist two-dimensional characters: "We are the thing we are portraying."
The sketch comedy series with an all-black cast and writers' room was hilarious, smart on race, and just getting started.
Songwriters Thomas Mizer and Curtis Moore discuss the crafting of "Mrs. Maisel's" first original song in Season 3 for pop star Shy Baldwin (Leroy McClain).
For "The King of Staten Island," Apatow wanted more exciting camerawork, so he turned to one of the best in the business.
A&E and Paramount Network have put a pin in their popular reality series centered on law enforcement.
Édgar Ramírez and Michael Pitt are wasted in a deeply stupid sci-fi story about the future of American fascism.
Bao Nguyen says Tarantino wasn't coming from a bad place in "Once Upon a Time in Hollywood."
Screen Talk, episode 293: IndieWire's Tambay Obenson makes a special appearance on this week's episode to assess the industry's response to national unrest.
![Janet McTeer (‘Ozark’) on the fun and challenges of playing Helen Pierce [Complete Interview Transcript]](https://i1.wp.com/www.goldderby.com/wp-content/uploads/2020/03/Janet-McTeer.jpg?resize=230%2C135&ssl=1&w=300)
