We’re starting to announce the first few panels we’re creating for the 2008 SXSW Film Conference. They include:
Film Miss-Takes –
When it comes to making a film, “nobody knows anything,” and novice filmmakers know even less. Poor choices can ensure that no one will watch what you’ve made. Early attention to legal and technical issues could mean the difference between having a viable film, or just an expensive calling card. Are you ready to talk about your project? Who should you talk to and what should you say (or not say)? Veterans of the industry discuss how filmmakers most often sabotage themselves, and discuss how to avoid it by doing your homework.
Digital Cinema For Indies
How can indie directors/producers get their work onto the growing number of digital screens in the US, and what are the economics of encoding your film so it can be downloaded digitally and onto a cinema’s server? We’ll also explore how digital cinema is changing the balance of power between Hollywood studios and independents, and what new developments lie ahead.
Blogs, Buzz, and Buddy Lists
Use the Internet before the Internet uses you. Thanks to blogs, web-video, and social networking sites, the online universe is a valuable (but no less intimidating) landscape for artists. How do you get the best out of blogs and other sites, to maximize your potential for an audience? Or, how do you get yourself introduced to the booming industry of online journalism and video sharing? These experts will dig deep into these ever-changing trends.
Animation and Digital Effects on a Budget
Sophisticated visual effects and computer-generated animation used to be big-ticket items, best left to the $100 million blockbusters from Pixar and the Hollywood majors. But new tools are making visual effects and CG-animation more accessible to independent filmmakers, and also spawning smaller VFX and CG shops willing to work with indies. We’ll get an update from several innovators on the front lines.
Deal or No Deal: The Road of Self-Distribution
For some filmmakers, getting their work to the masses becomes a very personal task. And, even when a conventional DVD or cable deal is part of the equation, some decide to take on the theatrical release solo. What is this process like? Seasoned filmmakers and members of the industry chat about the complicated world of “self-distribution,” and whether or not they would do it again.