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DISPATCH FROM SARASOTA: Festival Celebrates Tenth Anniversary with Fun, Sun, Glamour, and Of Course,

DISPATCH FROM SARASOTA: Festival Celebrates Tenth Anniversary with Fun, Sun, Glamour, and Of Course,

Sunny, warm weather and a sea of smiling faces greeted attendees of The Sarasota Film Festival as the southwestern Florida event wrapped its tenth anniversary and continues to grow in prominence as an important part of the film festival circuit. With screenings of over 105 features, tributes to film industry talent, as well as an impressive twelve film retrospective of actress and filmmaker Liv Ullmann‘s collaborations with the late great Ingmar Bergman, Sarasota impresses strongly as an event that caters beyond that of merely a regional festival for a city of 55,000.

“We’re trying to build our profile to have people come in more and come down here and check out what we’re doing. Film fans from around the country, if they will come down to Sarasota and take a week’s vacation, it’s sunny, there’s beaches and fun,” said Director of Programming Tom Hall, who celebrates his own fourth year at the festival after serving as programmer at the Nantucket Film Festival. With the festival’s focus on showing important world cinema of the past, such as the Werner Herzog retrospective of the German filmmaker’s documentary work that was held in 2006, Hall also noted that “I really think it’s a place where cinephiles should think about coming.”

Sarasota’s dramatic competition lineup also had an emphasis on World Cinema, including “Mongol“, which was nominated for the 2007 Academy Award for Best Foreign Film, Fatih Akin‘s follow-up to “Head On,” “The Edge of Heaven,” as well as selections from Romania, Norway, Rwanda, and France.

The Independent Visions competition offered much of the new interesting work done on the lower budget side of filmmaking. With no names and small crews about twenty-somethings, standouts such as Barry Jenkins‘ “Medicine for Melancholy,” which tells the story of a one night stand between an African-American couple amidst gentrification in San Francisco and “The Pleasure of Being Robbed,” Joshua Safdie‘s original, humorous story about a charming, odd young woman who interacts with the world through kleptomania, both films impressed the Independent Visions Jury and resulted in a cinematography award for “Medicine” and the Heineken Red Star Award for “Robbed,” which as the festival states, emobodies “the ideals of innovation, originality and vision in the process of outstanding film achievement.”

Submarine Entertainment‘s Josh Braun, who heard about the buzz regarding “The Pleasure of Being Robbed” after its premiere at South by Southwest, signed on to represent any future sales of the film a few days before Sarasota begin. With Braun’s recent success selling The Duplass Brother’s equally indie-spirited low-budget feature “Baghead” to Sony Pictures Classics at Sundance earlier this year, it will be interesting to follow “The Pleasure of Being Robbed” and its future.

While Sarasota does not emphasize premieres, there were some new films at the festival, including the world premiere of the documentary “All God’s Children“, where filmmakers Scott Solary and Luci Westphal talk to victims of child abuse suffered while living in Africa as missionary children under the evangelical organization Christian and Missionary Alliance. The film follows the former students as they attempt to find justice for the unthinkable cruelty inflicted upon them by boarding school staff. (A journal for the film is part of indieWIRE’s hosted blogs section.)

Another sad film about abuse towards the innocent and the search for justice, “They Turned Our Desert Into Fire,” follows war photographer Mark Breckle, who has covered numerous genocides around the globe, as he journeys to Washington, DC to present his Darfur photos to Congress. The film won the International Jury Prize for Best Documentary at the Sao Paulo International Film Festival in Brazil with Sarasota being its US premiere.

Songwriter Dennis Lambert (and subject of the documentary “Of All The Things”) performs at the Late Night Party at the 2008 Sarasota Film Festival. Photo by James Israel/indieWIRE.

Yung Chang‘s “Up The Yangtze” also offered a sad look at a peasant family whose life is going to be literally swallowed up after completion of the massive Three Gorges Dam in China, which will result in the mighty Yangtze River being subverted and its water level raised to build the world’s largest hydroelectric power station. Watching a peasant farmer struggle to carry what little ramshackle belongings he has to escape the inevitable “progress” is perhaps the most powerful image in the film.

On a fun yet still serious side, Helen Hood Scheer‘s documentary “Jump!” takes a look at the little known world of competitive jump roping and the incredible athleticism and discipline required as children and young adults prepare for a world competition featuring jumpers from all around the world.

The festival not only exhibited films from around the world this year but also showed off Steven Schachter‘s “The Deal“, which was born in Sarasota after the community got involved with the project back in 2006. Sarasota Film Festival board member Keri Nakamoto and the Sarasota Film Festival executive director, Jody Kielbasa served as producers on the film. Starring William H. Macy and and Meg Ryan,”The Deal” kicked off the festival as its opening night film and was also touted at a unique fundraising party organized by Keri Nakamoto to connect film talent with potential investors and tout their new collaboration, kame jiro films. Producer Ted Hope, director and actor Stanley Tucci and Steve Buscemi worked the crowd at the intimate affair that was held at Michael’s Wine Cellar. The event also served as a good warmup for “Night of 1,000 Stars,” where locals and visitors alike enjoyed a decadent mix of food and music at Michael’s on East. Food highlights included a fun array of sugary concoctions, including Vodka snow cones, a table piled high with jelly beans, M&M’s and other candies, and a server expertly whipping up Smores with a butane torch.

Melted marshmallows and chocolate were also on the menu at the Thursday night event, Cabana Culture, which was a the highlight of the festival parties and held on the gorgeous powdery white beach of the Siesta Keys where attendees traded in their shoes for flip-flops while partaking in yummy appetizers, including a literal boatload of shrimp while waiting for a gorgeous night as the sun descended over the Gulf Coast for a lovely sunset.

The festival wrapped up on Saturday night with a 10th Anniversary Ball which featured tributes to the careers of producer Ted Hope, filmmaker Stanley Tucci and actress Charlize Theron. After the snazzy black tie event, which is a highlight of the festival and in the Sarasota community in general, the Late Night Party kicked off with a performance by Dennis Lambert, who was a hit songwriter in the ’70s and ’80s and the man behind “Rhinestone Cowboy” and “Nightshift.” Lambert’s story is told in “Of All The Things,” a documentary by his son Jody Lambert which also won the Audience Award at Sarasota for best documentary feature.

The Complete List of 2008 Sarasota Film Festival Winners:

Best Narrative Feature Competition Award – “Munyurangabo” by Lee Isaac Chung

Best Documentary Feature Competition Award – “Stranded: I Have Come From A Plane That Crashed On The Mountains” by Gonzalo Arijon

Special Documentary Jury Prize – “To See If I’m Smiling” by Tamar Yarom

Independent Visions Competition Award – “The Pleasure of Being Robbed” by Joshua Safdie.

Independent Visions Special Jury Prize for Cinematography – “Medicine For Melancholy” by Barry Jenkins, Cinematography by James Laxton

Bombay Sapphire Audience Award for Best Narrative Feature – “Fugitive Pieces” by Jeremy Podeswa

Bombay Sapphire Audience Award for Best Documentary Feature – “Of All The Things” by Jody Lambert

Bombay Sapphire Audience Award for Best in World Cinema – “Christmas Story” (Finland) by Juha Wuolijoki

Bombay Sapphire Audience Award for Best Short Film – “La Corona” by Amanda Micheli and Isabel Vega.

Heineken Red Star Award (Selected by the Independent Visions Jury) – “The Pleasure of Being Robbed” by Joshua Safdie

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