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Trumbo tells the eventful story of the best-known name in the Hollywood Ten, screenwriter Dalton Trumbo, with an unsurprising emphasis on the leftist’s misadventures with the House Un-American Activities Committee. Famous and well-paid before HUAC sentenced him and nine other fellow Communist sympathizers and members to jail, Trumbo toiled for years afterward to win back his career, returning to the movies under pseudonyms and “fronts” designed to keep a blacklisted name unconnected to the scripts he was working on (Roman Holiday and The Brave One, for which his front, Robert Rich, won the 1957 Academy Award) and then being the first to break the blacklist by taking unconcealed credit for Spartacus and Exodus.

Click here to read the rest of Michael Joshua Rowin’s review of Trumbo.

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