Take me seriously!
Many reviews of The Box will start out like: “After the disastrous reception that greeted Southland Tales, director Richard Kelly…” This opening apologia acknowledges the massive blunder that was Southland (though there are still a handful of defenders), and opens up wiggle room to reinstate Kelly as a filmmaker worth watching, regardless of the relative quality of The Box itself. His intelligence and ambition—perhaps even “vision”—will be referenced, his genre-mashing sensibility lauded, and even if the film might be not be any good (more on that shortly), Richard Kelly himself will likely emerge unscathed to fight another day. In reality, what should be said of The Box, especially in the wake of Southland Tales, is that when it comes to Richard Kelly there’s no there there, and likely never was. Click here to read the rest of Jeff Reichert’s review of The Box.