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Cannes 2010 | Rounding Up The Coverage

Cannes 2010 | Rounding Up The Coverage

The 2010 Cannes Film Festival has come to a close with the announcement of Apichatpong Weerasethakul’s “Uncle Boonmee Who Can Recall His Past Lives” as the winner of the Palme d’Or. In the twelve days and nights leading up to that conclusion, indieWIRE and its team of writers – Eugene Hernandez, Brian Brooks, Anne Thompson, Todd McCarthy, Sydney Levine, and Eric Kohn – were working hard from Croisette, bringing you the latest news, reviews, and interviews. So before you move on from this year’s fest, how about an indieWIRE-ian recap?

Our guide to all the films now offers links to film pages that include hundreds of critics grades and review links from twenty-one critics and bloggers in attendance. According to members of criticWIRE, Weerasethakul’s big winner was also the critic’s choice, closely followed Charles Ferguson’s out-of-competition economic crisis doc “Inside Job”. They were the only two films with 3 or more grades to have an “A” level average.

Other films to find considerable praise from those polled included Oliver Assayas’s out-of-competition “Carlos”, Derek Cianfrance’s Un Certain Regard entry “Blue Valentine”, and three more films in official competition: Abbas Kiarostami’s “The Certified Copy”, Mike Leigh’s “Another Year” and Lee Chang-dong’s “Poetry”.

Check out all the films here, as well as the links below to all of iW‘s coverage over Cannes, from reviews to interviews to daily “minute by minute” dispatches:

The Daily Dispatches:
DAY 1: Minute by Minute
DAY 2: Minute by Minute
DAY 3: Minute by Minute
DAY 4: Minute by Minute
DAY 5: Minute by Minute
DAY 6: Minute by Minute
DAY 7: Minute by Minute
DAY 8: Minute by Minute
DAY 9: Minute by Minute
DAY 10: Minute by Minute
DAY 11: Minute by Minute
DAY 12: Minute by Minute

The Awards
CANNES 2010: Personal, Political Cinema Celebrated as 63rd Cannes Fest Closes
Cannes Film Festival: “Uncle Boonmee” Wins Palme d’Or; Mathieu Amalric Takes Best Director
Hong Sangsoo Tops Un Certain Regard
Berthaud’s “Limaces” Leads Director’s Fortnight Winners
“Kaboom” Claims First Queer Palm
Afghanistan War Doc Tops Cannes Critics Week

The Reviews:
“Another Year”, directed by Mike Leigh
“Aurora”, directed by Cristi Puiu
“Biutiful”, directed by Alejandro Gonzalez Iñárritu
“Certified Copy”, directed by Abbas Kiarostami
“Fair Game”, directed by Doug Liman
“Film Socialisme”, directed by Jean-Luc Godard
“Heartbeats”, directed by Xavier Dolan
“Kaboom”, directed by Gregg Araki
“Poetry”, directed by Lee Chang-dong
“Le Quattro Volte”, directed by Michaelangelo Frammartino
“Rebecca H.”, directed by Lodge Kerrigan
“Route Irish”, directed by Ken Loach
“Rubber”, directed by Quentin Dupieux
“Shit Year”, directed by Cam Archer
“Sound of Noise”, directed by Ola Simonsson and Johannes Stjärne
“Tamara Drewe”, directed by Stephen Frears
“Two Gates of Sheep”, directed by Alistair Banks Griffin
“Uncle Boonmee Who Can Recall His Past Lives”, directed by Apichatpong Weerasethakul
“You Will Meet a Tall Dark Stranger”, directed by Woody Allen

The Features:
Fantasy on the Croisette: Cannes in a Nutshell
FUTURES: “Carlos” star Edgar Ramirez
FUTURES: “The Myth of the American Sleepover” filmmaker David Robert Mitchell
Doug Liman: “This is what I’ve been trying to do my whole career”
Again In Cannes, Filmmaker Xavier Dolan Talks Life, Love & “Heartbeats”
Cannes Doc Says The Financial Crisis is an “Inside Job”
Eugene Hernandez: Six Down, Six To Go
“Countdown to Zero” Imagines a Nuclear Arms-Free World
Jean Luc Godard: “No Comment”
Woody Allen: “The only way to be happy is to tell yourself some lies or deceive yourself.”
Loneliness & Happiness; Married vs Single: Mike Leigh’s “Another Year” Takes On Contentment
Oliver Stone: “I am confused whether capitalism in its present form can work.”
Gregg Araki Goes “Kaboom”: Indie Rebel Returns to His Roots
A Trailblazer, “Kiss of the Spider Woman” Set to Hit Cannes 25 Years Later
Does Cannes (still) Matter?

News:
IFC Takes “The Princess” Out of Cannes
Magnet Acquires Critic’s Week Title “Rubber”
IFC Goes “Kaboom”
Sony’s Among “Gods and Men”
Cannes Pacts for Kiarostami Film
“Heartbeats” & “Prey” Go to IFC
IFC and Sundance Channel Team Up For Assayas’s “Carlos”
Strand Takes Cannes Market Title “Passenger Side”
Fortissimo and Fox International Strike Deal in Cannes

For more news, check out indieWIRE‘s iWNOW blog

Todd McCarthy’s Deep Focus:
Reviews:
Cannes Film Festival Review: “Carlos”
Cannes Film Festival Review: “The Princess of Montpensier”
Cannes Film Festival Review: “You Will Meet A Tall Dark Stranger”
Cannes Film Festival Review: “Wall Street: Money Never Sleeps”
Cannes Film Festival Review: “Robin Hood”

Features:
Les Palmares Infertiles
Documentaries in the Shadows in Cannes
Band of Insiders
A Brilliant Evening
The Man Gets Around
So-So So Far

Anne Thompson at Thompson on Hollywood:

Trailer Watch: Cannes Palme d’Or Winner Uncle Boonmee Who Can Recall His Past Lives
Cannes’ The Myth of the American Sleepover vs. Shit Year: One Moves, the Other Doesn’t
Cannes: Palme D’Or Winner is Uncle Boonmee, Best Actress Binoche, Best Actor Bardem and Germano
Elliot Spitzer Has High Cannes Profile: Wall Street: Money Never Sleeps and Inside Job
Weinsteins May Lose Miramax Deal, Kerrey Mulls MPAA, IFC and Sony on Cannes Buying Spree
Jagger Hits Cannes With Stones Doc
Cannes Starts Buying: Another Year, Heartbeats, Prey
Phase 4 Acquires SXSW Audience-Award Winner Brotherhood in Cannes Market
Biutiful Stars Bardem, Inspires Polarized Reaction, Seeks Distrib
Cannes No-Shows: Scott, Penn, Godard
Stone Talks Wall Street Dysfunction and South of the Border Tour
Julie Taymor Talks The Tempest, Spider-Man
Cannes Diary Day Three: Wall Street 2, The Housemaid, Chatroom, Beach Parties
Wall Street: Money Never Sleeps Review
Cannes Diary: Robin Hood Opening Ceremony and After-Party, Carlton Billboards
Cannes Day One: Robin Hood Gets Off to a Slow Burn

Sydney Levine at SydneysBuzz:
Festival de Cannes Winners & Lineup – with Contacts
The Winners of Directors’ Fortnight and Critics’ Week 2010 – with Contacts
Our Daily ISA (International Sales Agent): Memento ♀: Closing Night Film
Our Daily ISA (International Sales Agent): Greenlight Pictures
Hors de Loi (Above the Law) Calls in the Law
Publicist of the Festivals
Our Daily ISA (International Sales Agent): Finecut ♀: 4 Films in the Festival
Our Daily ISA (International Sales Agent): FiGa Films
Our Daily ISA (International Sales Agent): Elle Driver ♀: 5 Films in Festival
Two Thirds The Way Through Cannes
Discovery of a Jewel
Our Daily ISA (International Sales Agent): Westend Films ♀
Vesuvio and Greg Sims Erupt
Our Daily ISA (International Sales Agent): Celluloid Dreams: 3 in the Festival
Our Daily ISA (International Sales Agent): StudioCanal
Our Daily ISA (International Sales Agent): Wild Bunch: 9 Films in the Festival
900 Million and the Cannes Market Party
Our Daily ISA (International Sales Agent): Films Distribution
International Festival Developments: The Good News and the Bad
Cannes Independent Film Festival
Our Daily ISA (International Sales Agent): Coproduction Office: 3 Festival Films
The Dutch in Cannes
Our Daily ISA (International Sales Agent): Pyramide
Earthquake in the US Distribution Landscape
Our Daily ISA (International Sales Agent): The Match Factory
Backup Films Financed 7 Films in the Cannes Film Festival!
Rights Round Up Cannes 2010

Eric Kohn at ScreenRush:
Godard’s “Film Socialisme” with Subs.
Batman in UCR
Cannes in Motion: “Aurora,” Araki and “Biutiful.”
Cannes Highlights in Motion.
Checking Into Cannes.
Cannes On. Some Early Views.
Snapshots from Cannes: BurtonRobinDinnerWhoa.

This Article is related to: Festivals