On the Toronto acquisitions front, both The Weinstein Co. and Sony have been buying movies.
The Weinsteins just bought their second movie, rookie Richard Ayoade’s Brit comedy Submarine (which I missed this morning in the interests of posting some of my mountains of material). They paid something short of seven figures for North American rights to the Ben Stiller-produced project starring Sally Hawkins and Noah Taylor. (Here’s Hitfix’s Submarine rave.) Hawkins also made a splash here in Made in Dagenham, a female empowerment movie to be released by SPC, and appears in Searchlight’s Never Let Me Go. WME Global was repping the rights.
Submarine clips are on the jump.
The Weinsteins’ first buy was the raunchy high school comedy Dirty Girl, for which they paid $3 million for several English-language territories including U.S., plus France. It’s refreshing to see Harvey (sans entourage) working the press and industry screenings and staying out late at CAA and Wild Bunch parties. He seems energized by the knowledge that The King’s Speech is a surefire commercial winner and Oscar frontrunner. (This is a relief for The Social Network gang, because the last thing you want is to be deemed the movie to beat too early).
Sony hasn’t been slacking either. SPC came into the fest with some ten movies on show here, including Another Year, Tamara Drewe and Barney’s Version, and then picked up domestic rights for Denis Villeneuve’s Venice and Telluride hit Incendies, which is based on Wajdi Mouawad’s play about twins who seek to solve the mystery about their father and brother. Sony Worldwide is scooping up James Wan’s Midnight Madness thriller Insidious, which is being repped by Stuart Ford’s IM Global, from the Paranormal Activity team of Jason Blum, Oren Peli and Steven Schneider.
Distribs are in the hunt for two more acquisition titles which are expected to sell soon: Mike Mills’ intimate relationship movie Beginners, which cross-cuts between Ewan McGregor attending to his dying gay father (Christopher Plummer) in the recent past and his current relationship with an actress visiting L.A. (Inglorious Basterds‘ Melanie Laurent). McGregor and Plummer have never been better; I wished Laurent’s role had been fleshed out a bit. I also liked Mills’ Thumbsucker.
Rabbit Hole is a surprisingly straightforward, nakedly emotional drama from director John Cameron Mitchell (Hedwig and the Angry Inch), who is a gifted director of actors. He’s taking on the dangerously grim territory of two well-heeled suburban parents (Nicole Kidman and Aaron Eckhart) grieving the recent loss of their only son, killed in an accident at age four. Adapted by David Lindsay-Abaire from his play, the film rings true; Kidman and Dianne Wiest as her mother are both strong, as is discovery Miles Teller. The issue is which distrib is willing to make the long-haul commitment to give this an Oscar push, which is the only way to make it a must-see. Sony Pictures Classics and Fox Searchlight already have too much on their plate for 2010. It might make sense to push this back to 2011.