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HONOR ROLL 2010 | “Black Swan” Director Darren Aronofsky and His Cast

HONOR ROLL 2010 | "Black Swan" Director Darren Aronofsky and His Cast

EDITOR’S NOTE: This is part of a daily December series that will feature new or previously published interviews, profiles and first-persons of some of the year’s most notable cinematic voices. This edition is republished from indieWIRE’s coverage of the Toronto International Film Festival.

After its world premiere in Venice and its special “sneak preview” in Telluride, Darren Aronofsky’s acclaimed “Black Swan” made its way to the Toronto International Film Festival Monday night for its official North American premiere. The film stars Natalie Portman as Nina, a featured dancer who finds herself locked in a web of competitive intrigue with a new rival at the company (Mila Kunis). Vincent Cassel, Winona Ryder and Barbara Hershey also star, and all three of them joined Portman and Aronofsky at the Hyatt Regency hotel in Toronto Tuesday morning to discuss the film for the Toronto press. Here’s ten choice quotes from the lively hour or so that followed:

Darren Aronofsky on the connection between “Black Swan” and “The Wrestler”: “The connections between the two films didn’t escape us when we started to work on ‘Black Swan.’ Ballet being the highest art, and wrestling being the lowest art – if you consider wrestling art, which most people don’t, but I do. Either way, they’re high and low entertainment but they both have performers that use their bodies in extreme ways to entertain. And there were just definitely thematic connections between the two. Mark [Heyman, ‘Swan”s screenwriter] was like ‘do you realize our films are really lining up a lot’ and I was never afraid of it. I always thought that they’re very different genres and different movies but they have some type of similar message about performance. I thought that would be interesting. My dream is that one day it would play in an art theatre as a double feature.”

Natalie Portman on Oscar buzz for her work in “Swan”: “The best thing with this movie is that everyone seems to be having a strong visceral response. I think Darren’s filmmaking is both thought provoking and emotional and pure entertainment… So while it’s very complimentary and flattering that people are talking about [Oscars], obviously what we do is about wanting to make things that people connect to and that’s the biggest prize.”

Darren Aronofsky on filming delays causing Natalie Portman to keep having to extend her “torturous” ballet training: “There were advantages and disadvantages to making this film independently. And one of the advantages was that because the money really came through for a really long time… We kept having to push. And one thing I didn’t realize until recently was that everytime we pushed, Natalie was like ‘another three weeks of carrot sticks and almonds! I’m gonna kill you!’ So she really was tortured pretty badly because we had such a hard time getting the money for the film.”

Natalie Portman on her and Aronofsky’s “telepathic” relationship: “It was absolutely a great opportunity that Darren gave to all of us to have these really complicated characters and also to give us the freedom to bring what we wanted to the roles. There was a great generosity for him to give the role, and then also say ‘what do you think?’ And I think my experience with Darren also felt almost telepathic. I never had that with any director before. Darren could say half a word and I felt like I could understand him, and I could say half a word and he could understand me. We were in some strange zone of focus that allowed us to share this attention.”

Barbara Hershey on her previous ballet experience: “I haven’t any. But I went backstage as preparation for this and got to watch them perform and study their study. And it was so tremendous. It helped a lot in terms of how to hold yourself. It’s like the honor of acting – you get exposed to things in a deep way that you just wouldn’t know about otherwise.

Winona Ryder on her’s: “I saw The Nutcracker when I was small. Does that count?”

Darren Aronofsky on getting together “Black Swan”‘s finances: “I mean after ‘The Wrestler’ we thought that because we’d done a film about wrestling with Mickey Rourke and everyone was like ‘what the hell are you guys doing’ and then it came okay, that it would be much easier with this cast and something that was closer to a genre film. But it was just as hard. We were trying to raise the money during the serious black hole of film financing, which may or may not be still going on… So it was really, really tough. It was kind of a bluff. We were assembling the cast, saying we had the money, and we sort of did in a few places. But the money fell apart many, many times.”

Vincent Cassel on Aronofsky’s European sensibility: “To me, Darren has this very European quality to his films. I thought there was something very New Wave to his work. The French New Wave… not the punk rock music.”

Winona Ryder on the pressures they felt by being in the public eye since she was young – a pressure that is mirrored in “Swan”: “I’ve been asked about ambition before and I don’t feel that ambitious because I started so young and because it was very fun. But to be looked at and judged and read something about yourself and you think ‘okay, that’s who I am and that’s who I should be.’ It gets very confusing and it could drive a person crazy.”

Darren Aronofsky’s answer to the question ‘in a perfect world, what would you like people to know about this film without giving anything away’: “That it’s fucking great.”

Previous Honor Roll 2010 Entries:
December 22: “Let Me In” Actor Kodi Smit-McPhee
December 21: “The Social Network” Actor Jesse Eisenberg
December 20: “Joan Rivers: A Piece of Work” Directors Stern & Sundberg
December 19: “Winter’s Bone” Actress Jennifer Lawrence
December 18: “Everyone Else” Actress Birgit Minichmayr
December 17: “Marwencol” Director Jeff Malmberg
December 16: “The Social Network” Composers Trent Reznor and Atticus Ross
December 15: “The Tillman Story” Director Amir Bar-Lev
December 14: “The Kids Are All Right” Writer/Director Lisa Cholodenko
December 13: “Rabbit Hole” Director John Cameron Mitchell
December 12: “Last Train Home” director Lixin Fan
December 11: “Carlos” Actor Edgar Ramirez
December 10: “The Oath” Director Laura Poitras
December 9: “White Material” Actress Isabelle Huppert
December 8: “Blue Valentine” Director Derek Cianfrance
December 7: “The Social Network” and “Never Let Me Go” Actor Andrew Garfield
December 6: “I Am Love”‘s Tilda Swinton and Luca Guadagnino
December 5: “Waste Land” Director Lucy Walker
December 4: “Restrepo” Directors Tim Hetherington and Sebastian Junger
December 3: “Another Year” Actress Lesley Manville
December 2: “Please Give” Director Nicole Holofcener
December 1: “Winter’s Bone” Director Debra Granik

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