Best Director Tom Hooper thanks his mother. “My mom in 2007 was invited by some Australian friends to a play reading of The King’s Speech. She almost didn’t go, came home, rang me up, ‘I think I’ve found your next film.’ The moral of the story is, listen to your mother.” Here’s more from his acceptance speech and backstage interview.
I figured that Inception and Alice in Wonderland would split the technical awards, and that Oscars would be spread among many films. But I was wrong to think that one director who did not campaign (The Social Network‘s David Fincher was shooting The Girl with the Dragon Tattoo) would win over one who did. Hooper was indefatigable. And he directed the likely best picture-winner. A split between best picture and director is very rare, as Sasha Stone and Kris Tapley kept reminding me. In this case, the stats were right.
Backstage, Hooper credits the rehearsal period with an intense bonding experience with his trio of man love with Geoffrey Rush, Colin Firth. Helena Bonham Carter arrived to a strong male bond. “She acted the supportive wife brilliantly.” He’s not going to bed for a while. Oprah Winfrey and The Today Show beckon in the morning.
He says his mother is under a little bit of pressure now. “This play failed to be produced as a fringe theater play, so it was going nowhere,” he says. “It’s made me more open-minded,” he says. “The key thing was getting inside the mind of a stammerer. If Colin could capture the intense drama of being a stammerer, and then add in the drama of being a King against his well.”