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Summer Indie Preview: The 20 Must-See Films

Summer Indie Preview: The 20 Must-See Films

The summer movie season isn’t exactly best known for independent film. With billions of dollars set to be spent on a record amount of sequels (“Kung Fu Panda 2,” “Transformers 3,” “Pirates of the Caribbean 4,” “Final Destination 5,” “Harry Potter 8,” etc., etc., etc.), one has to wonder: How much space is left for the little guys.

But, while summer will never be the independent film hotbed that is the fall, in recent years there have actually been quite a few indie breakouts during the studio’s favorite months. Last year, for example, summer brought eventual best picture nominees in “Winter’s Bone” and “The Kids Are All Right,” a slew of fantastic docs in “Restrepo,” “Joan Rivers: A Piece of Work,” “The Oath,” and “The Tillman Story,” and remarkable new foreign-language films in the likes of “I Am Love” and “Dogtooth.”

That said, summer can be a particularly risky time to release an independent film, partially due to the mass amount of studio pictures with huge advertising budgets that are bogarting three or four screens (or more) in some multiplexes. So, it’s also important to look outside the box office. A lot of great films are going to come and go this summer and even if they are destined for meager grosses, they might still deserve moviegoer attention. It just might be hard for some to find that attention, given the plethora of “Transformers” and “Pirates of the Caribbean” ads blocking the view.

So in an attempt to help remedy that, indieWIRE is offering this list of 20 specialty films coming out this summer that demand moviegoer consideration, a supplement to iW’s film calendar that additionally mentions a few dozen more (check out specific listings for May, June, July, and August). From beavers and dinosaurs to Woody Allen and Jean-Luc Godard, a summer indie preview:

1. The Tree of Life (May 27; Fox Searchlight)

What’s The Deal? Terrence Malick’s latest – which has probably been on a half dozen indieWIRE previews before getting delayed over and over – is 99.9% actually coming out this May. Starring Brad Pitt, Sean Penn and having something to do with dinosaurs, the cosmos and the meaning of life (all against the backdrop of a 1950s family drama), the film is debuting in Cannes and then heading to theaters shortly thereafter.

Who’s Already Seen It? Terrence Malick. Some Cannes programmers. Some students at the University of Texas at Austin. Maybe Brad Pitt. Though we don’t even know any of that for sure. Check back with the film’s criticWIRE page.

Why is it a “Must See”? “Life” has had one of the most fascinatingly mysterious release lead-ups of all time, and is clearly the summer’s most anticipated specialty release. Malick has only made five films in his near 40 year career, and the four that came before “Life” have all been heralded by critics and often end up on best-film-ever type lists. “The Tree of Life” may still be a bit of a mystery, but chances are it’s going to be one that delivers.

2. The Interrupters (Summer TBA; The Cinema Guild)

What’s The Deal? “Hoop Dreams” director Steve James gives us one of the most acclaimed films to come out of the 2011 Sundance Film Festival in “The Interrupters.” Capturing a period in Chicago when it became a national symbol for violence in America, it tells the stories of three Violence Interrupters who try to protect their communities from the violence they once employed.

Who’s Already Seen It? 8 critics gave it an average of A- on the film’s criticWIRE page.

Why is it a “Must See”? Don’t let its 142 minute running time scare you off (cut down 20 minutes from Sundance). As Eric Kohn wrote in his review at Sundance: “Conventional standards would imply that, at 2 hours and 42 minutes, the movie runs too long. But the lengthy middle section allows for a fascinating immersion in the details of the interrupters’ efforts, and the final scenes wind down with a series of reconciliations between reformed criminals and their victims. The entire movie is one long resolution to a widespread problem and ends with the lingering feeling that the work has just begun.”

3. & 4. The Future (July 29; Roadside Attractions) and Beginners (June 3; Focus)

What’s The Deal? Miranda July and Mike Mills are two filmmakers who just happen to be married and who both just happen to be about to deliver much-anticipated follow-ups to 2005 indie hits (“Me and You and Everyone We Know” and “Thumbsucker,” respectively). July’s “The Future” and Mills’ “Beginners” both hit theaters this summer after warmly received festival debuts, and together would make a very complimentary double feature.

Who’s Already Seen Them? 13 critics gave “The Future” average of B on the film’s criticWIRE page, while 16 critics also gave “Beginners” an average of B+ on the film’s criticWIRE page.

Why Are They “Must Sees”? Both oddly charming, whimsical takes on thirtysomething romance, “The Future” stars July alongside Hamish Linklater as a couple whose relationship grows troubled with the arrival of an adopted cat while “Beginners” finds Ewan McGregor struggling to overcome the death of his father (played by an Oscar-nomination worthy Christopher Plummer in flashbacks) through a budding romance with Melanie Laurent. Check out indieWIRE’s reviews of “The Future” here, and on “Beginners” here, both of are quite positive and confirm them as the hipster date movies of the summer.

5. Project Nim (July 8; Roadside Attractions)

What’s The Deal? Continuing a parade of substantial doc options this summer, James Marsh’s follow up to his Oscar-winning “Man on Wire” takes on Nim, a chimpanzee who became the focus of a landmark 1970s experiment that aimed to prove an ape could learn to communicate using sign language if raised and nurtured like a human child.

Who’s Already Seen It? 23 critics gave it an average of B+ on the film’s criticWIRE page.

Why is it a “Must See”? Just as it did at its Sundance premiere, “Nim” should arrive in theaters with considerable buzz surrounding it. It should produce a lot of dialogue about animal rights and could potentially break out well beyond traditional doc audiences. “Animal lovers and psychology buffs will flock to the movie based solely on curiosity about its premise, while audiences sympathetic to endangered animals may turn out in droves in much the same fashion that they did for “The Cove,'” indieWIRE’s Eric Kohn wrote in his Sundance review.

6. The Beaver (May 6; Summit Entertainment)

What’s The Deal? PR nightmare Mel Gibson makes an attempt at career damage control in Jodie Foster’s long-awaited third directorial effort. Gibson stars as a clinically depressed toy company CEO who finds solace through a beaver hand puppet that he begins to use to communicate to his estranged wife (played by Foster). The screenplay – written by Kyle Killen – topped the 2008 “Blacklist,” which ranks the year’s best unproduced screenplays.

Who’s Already Seen It? 10 critics gave it an average of B- on the film’s criticWIRE page.

Why is it a “Must See”? Mass public hatred for Gibson will be no small obstacle to overcome, but “Beaver”‘s bizarrely intriguing premise (and fairly positive reviews out of SXSW) might make for a very curious public come May.

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Richard Ayoade’s “Submarine”

7. The Trip (June 10; IFC Films)

What’s The Deal? Michael Winterbottom follows up his controversially violent “The Killer Inside Me” with something completely different: Largely improvised, “The Trip” follows fictionalized versions of actors Steve Coogan and Rob Brydon through “foodie heaven” as they stop at some of the best restaurants and inns in the north of England.

Who’s Already Seen It? 15 critics gave it an average of B+ on the film’s criticWIRE page.

Why is it a “Must See”? Coogan and Brydon are on top of their game here, spending much of “The Trip” trying to one-up each other with dueling impersonations of Michael Caine, Liam Neeson, Sean Connery and Woody Allen. A good contender for summer’s funniest indie option.

8. & 9. Terri (July 1; ATO Pictures) and Submarine (June 3; The Weinstein Company)

What’s The Deal? Azazel Jacobs’ “Terri” and Richard Ayoade’s “Submarine” give summer a nice jolt of teen angst with these unique coming-of-age narratives. The former stars newcomer Jacob Wysocki in director Jacobs’ considerably more accessible follow-up to 2008’s “Momma’s Man.” Wysocki plays Terri, an overweight teenager whose life takes a positive turn when his assistant principal (John C. Reilly) decides to take him on, leading them both on a path to self-discovery. The latter, meanwhile, has British comic Ayoade delivering his feature debut in this 1980s-set tale of Oliver Tate (Craig Roberts), a boy on a mission to save his parents (Sally Hawkins and Noah Taylor) from the dissolution of their marriage and to lose his virginity before he turns 16.

Who’s Already Seen Them? 20 critics gave “Terri” average of B+ on the film’s criticWIRE page, while 19 critics also gave “Submarine” an average of A- on the film’s criticWIRE page.

Why Are They “Must Sees”? Two of the freshest and distinctively clever teen tales to head our way in some time, “Terri” and “Submarine” should also give us two of this summer’s big actor breakouts in Wysocki and Roberts.

10. Tabloid (July 15; IFC Films)

What’s The Deal? “The Fog of War” director Errol Morris’s latest tells the tale former Miss Wyoming Joyce McKinney and the infamous “Case of the Manacles Mormon.” Part black comedy, part film noir, “Tabloid” tracks McKinney’s strange life in the British tabloids.

Who’s Already Seen It? 27 critics gave it an average of B on the film’s criticWIRE page.

Why is it a “Must See”? Named as one the top five undistributed films of 2010 in indieWIRE’s annual critic’s survey, “Tabloid” is finally getting a theatrical release this summer, and – like all of Morris’ work – deserves your attention. “The enjoyably wacky scenario of Errol Morris’s ‘Tabloid’ is cookie cutter material for the documentarian, but Morris wields his personalized cookie cutter like a pro,” Eric Kohn wrote in his Toronto Film Fest review. “Doing penance for the grim, sterile polemics of “Standard Operating Procedure,” Morris bounces back with the sort of phenomenally surreal weird-but-true tale expected of him.”

Errol Morris’s “Tabloid”

11. Midnight in Paris (May 20; Sony Pictures Classics)

What’s The Deal? Woody Allen’s 41st annual feature film hits theaters shortly after it opens the Cannes Film Festival. With an all-star cast including Owen Wilson, Rachel McAdams, Marion Cotillard, Owen Wilson, Michael Sheen, Adrien Brody, Kathy Bates, and French first lady Carla Bruni, Allen takes on Paris for the first time. Details on the plot are minimal, but we do know it involves “a young engaged couple forced to confront the illusion that a life different from their own is better.”

Who’s Already Seen It? No one as of yet, but check back with the film’s criticWIRE page.

Why is it a “Must See”? It sounds a bit like “Vicky Christina Barcelona Goes To France,” which might not make for a classic, but could make for a very fun time. It’s a great cast (though isn’t it always), and while the Woodman has been more miss than hit in the past decade or so, maybe his first foray into the City of Lights proved particularly inspirational.

12. One Day (July 8; Focus Features)

What’s The Deal? Lone Scherfig follows up her best picture nominated “An Education” with this adaptation of David Nicholls’ 2009 novel (Nicholls himself wrote the screenplay). Starring Anne Hathaway and Jim Sturgess as a not-quite-couple who first meet as they graduate from the University of Edinburgh on July 15th (St. Swithin’s Day), and decide to meet again on that same day every year for the next two decades.

Who’s Already Seen It? No one as of yet, but check back with the film’s criticWIRE page.

Why is it a “Must See”? With its oh-so-romantic premise and its admirable cast, director, and source material, “One Day” should be hard to resist. It could also easily end up one of the summer’s biggest indie hits, following up on Focus Features’ considerable spring hits “Jane Eyre” and “Hanna.”

13. Page One: A Year Inside The New York Times (June 17; Magnolia Pictures)

What’s The Deal? Andrew Rossi’s doc takes on the inner-workings of one of the world’s most prominent newspapers, The New York Times. “Page One” adopts a verité approach to delve into debates about tensions between old and new in today’s fragile media industry.

Who’s Already Seen It? 16 critics gave it an average of A- on the film’s criticWIRE page.

Why is it a “Must See”? Very well received at its Sundance debut, indieWIRE called “Page One” “a cogent, provocative portrait of the intellectual process behind conventional newsmaking and the forces opposed to it” in its review.

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Mike Cahill’s “Another Earth”

14. Another Earth (July 22; Fox Searchlight)

What’s The Deal? One of the many big buys for Fox Searchlight at this year’s Sundance Film Festival, Mike Cahill’s “Another Earth” will be the first test as to whether that pays off. The sci-fi romance, which centers on the discovery of a mirror Earth, stars Sundance darling Brit Marling, who also co-wrote and produced the film (and stars in another Searchlight buy, “Sound of My Voice”).

Who’s Already Seen It? 15 critics gave it an average of B on the film’s criticWIRE page.

Why is it a “Must See”? “Another Earth” will definitely be a unique option for specialty filmgoers this summer. Eric Kohn called it “Andrei Tarkovsky’s ‘Solaris’ by way of Aaron Katz” in his Sundance review. Not exactly a marketing department’s dream, but hopefully audiences will appreciate “Earth” anyway.

15. Film Socialisme (June 3; Kino Lorber)

What’s The Deal? Over 50 years after “Breathless,” Jean-Luc Godard continues to expand his oeuvre with this extraordinarily divisive and difficult to summarize film, which debuted at last year’s Cannes Film Festival. A “symphony in three movements,” “Film Socialisme” involves a Mediterranean cruise, true or false myths, and children who have summoned their parents to “appear before the court of their childhood,” among many other things.

Who’s Already Seen It? 22 critics gave it an average of B on the film’s criticWIRE page.

Why is it a “Must See”? With criticWIRE grades ranging from “C-“s to “A+”s, it depends on who you ask. In his review from Cannes, indieWIRE’s Eric Kohn, for example, said the film is “a highly fragmented piece that moves between several locales and situations with no easy guide to help sort through the mess.” That said, if you want to be part of the summer’s most controversial cinephile conversation, “Film Socialisme” is a must.

16. Bellflower (August 5; Oscilloscope)

What’s The Deal? DIY filmmaking in the truest sense, Evan Glodell’s directorial debut “Bellflower” revolves around two men obsessed with the post-apocalyptic universe of “Mad Max.” Glodell explained to indieWIRE that he spent two and a half years “obsessing over the movie, re-editing and re-shooting shots to try to get the story and idea to come across the way it should.”

Who’s Already Seen It? 5 critics gave it an average of B on the film’s criticWIRE page.

Why is it a “Must See”? “‘Bellflower’ unquestionably provides a phenomenal showcase for newcomer Glodell that’s all the more impressive given its multi-year production history and minuscule budget, a backstory that should help garner some media attention,” Eric Kohn wrote in his Sundance review.

John Michael McDonagh’s “The Guard”

17. Life in a Day (July 24; National Geographic)

What’s The Deal? On Sunday, July 24th, Kevin Macdonald’s unique attempt at global collaboration will hit theaters exactly a year after it was shot. The film – which premiered at Sundance in January (and simultaneously on YouTube) – was shot by people all over the world over one 24 hour period, with 80,000 submissions from 192 countries (totaling 4,500 hours of footage) being cut down into a 90 minute doc that showcases “Life in a Day.”

Who’s Already Seen It? 10 critics gave it an average of B+ on the film’s criticWIRE page.

Why is it a “Must See”? A fascinating, intensely affecting project that has been very well received in its festival screenings, supporting “Life in a Day” also aids in similar projects being made in the future.

18. Dirty Girl (August 5; The Weinstein Company)

What’s The Deal? The specialty market gets raunchy with the directorial debut of Abe Sylvia, a 1980s set teen comedy that details the story of smart, slutty Danielle (the transformative Juno Temple) and overweight, gay Joel (newcomer Nicholas D’Agosto), teenagers who end up on a road trip together that evolves into a life-changing experience for both.

Who’s Already Seen It? 13 critics gave it an average of C+ on the film’s criticWIRE page.

Why is it a “Must See”? Though unlikely to win over critics in a big way, “Dirty Girl” is the summer’s best bet for dirty retro fun.

19. & 20. The Guard (July 29; Sony Pictures Classics) and Higher Ground (August 12; Sony Pictures Classics)

What’s The Deal? Save for Woody Allen, Sony Pictures Classics’ two other big hopes for a summer breakout come in the form of two very different films: John Michael McDonagh’s extremely dark Irish comedy, “The Guard,” and Vera Farmiga’s spiritual directorial debut, “Higher Ground.” Both Sundance purchases, the former stars Brendan Gleeson in a career-high performance as a vulgar cop caught up in an international drug trafficking plot, while the latter stars Farmiga, John Hawkes, Donna Murphy and Joshua Leonard, and episodically depicts a tight-knit spiritual community across several decades.

Who’s Already Seen Them? 7 critics gave “Higher Ground” an average of B on the film’s criticWIRE page, while 10 critics also gave “The Guard” an average of B on the film’s criticWIRE page

Why is it a “Must See”? Both warmly received at Sundance, the pair offer the summer a distinctive dose of counter-programming (albeit very different doses) to typical Hollywood fare.

For more information on all the films, visit our complete summer release calendar, which also includes dozens of films that could have easily made this list. The full calendar:
May 2011 | June 2011 | July 2011 | August 2011. Also check Anne Thompson’s =”http:>


Peter Knegt is indieWIRE’s Associate Editor. Follow him on Twitter and on his blog.

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