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Cannes 2011: Fourplay: Tampa Debuts in Directors’ Fortnight

Cannes 2011: Fourplay: Tampa Debuts in Directors’ Fortnight

Debuting in this year’s Directors’ Fortnight (Quinzaine des Réalisateurs) is Kyle Henry’s 17-minute short Fourplay: Tampa, which is the second of four Fourplay shorts set in different cities in Henry’s omnibus film. Tampa premieres on May 20 at 11:30 am. Produced by Jason Wehling, the film’s executive producers are REM frontman Michael Stipe and Jim McKay. Fourplay: San Francisco played at OutFest; in March, Henry sent Tampa to Cannes and then when it was accepted. he had to finish it in time. He hopes to assemble the four shorts into an anthology feature and sell it to a distributor.

Described in the Cannes Fortnight program as a “gang-bang bathroom farce” in which a self-doubting man seeks satisfaction in a mall bathroom and finds his “sexual savior,” Tampa is one of four stories about characters whose lives are changed by unusual sexual encounters. Henry’s feature Room screened in the Fortnight in Cannes 2005. Here’s more: a snatch of Henry’s blog on the film and a trailer are below.

Four transgressions, four transmissions, four true tales of sexual intimacy: in AUSTIN, a young heterosexual couple debate independence vs conceiving and arrive at a startling compromise; in TAMPA, a man finds his own private nirvana in a public restroom; in WEST HAVEN, an older woman falls for her pastor’s dog; and in SAN FRANCISCO, a transvestite prostitute faces a challenging assignment.

These are emotionally high stakes stories that require bravura performances and we are doing all this on a very small budget. Hope we are up the task! Also, by making a series of shorts, we don’t know what the final form will be, or if there will be a final form versus a series of forms (e.g. stand alone shorts serially released on VOD, a narrative feature packaged for festival/theatrical/cable/DVD distribution, or an add on for free to a progressive sex-ed websites like Nightcharm or Jane’s Guide or Butt Magazine). Who knows?

We are interested in telling stories where sex functions as it does in our real lives: as potentially major/minor turning point/s in not only the relationships we create through the acts themselves but also in our understanding of ourselves and the world around us through committing these acts.


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