THE BOX OFFICE:
Reviews of the Help: Southern Sass, Avoiding Sociological Minefield; Mainstream Crowd-Pleaser, Not Oscar Contender
30 Minutes or Less, Unexpected Box Office Boost
Talking Must-See Formula 1 Race Car Doc Senna: Visceral “Three Act Drama”
FIRST LOOKS & OSCAR WATCH:
Hanks and Horn in Extremely Loud & Incredibly Close
Leonardo DiCaprio as J. Edgar Hoover
Coriolanus: Fiennes and Redgrave Stand Out, New Trailer, Early Reviews
Top Five Visual Effects Contenders
IN THE WORKS:
Lone Ranger: Johnny Depp and Pirates Crew Reinvent Lone Ranger
Bridget Jones Three Update: “Still In Development”
Sin City 2 Funded, Bruce Willis Is Newest GI Joe, Keanu Reeves Directs
Fincher’s Dragon Tattoo Characters Get Mugshots & Bios; Rooney Mara Defends Salander’s Nipples
Gangster Squad, Noir Casting Stars Enos Joins Brolin, Gosling, Penn, Mackie, Ribisi, Peña & Emma Stone
Guillermo Del Toro Talks Pacific Rim, Chasing Tom Cruise, Landing Idris Elba: “Rodin Sculpture”
Big Screen Remake: Ortega Directs Dirty Dancing Revamp & Jennifer Grey Reacts on Twitter
FESTIVAL UPDATES:
J. Edgar, Margaret, Marigold Hotel To Skip Fall Fests, Twixt to Deauville
Texas Killing Fields Debuts at Venice, Lands Stateside Release Date
IFP’s Independent Film Week Project Forum: Highlights of 150 Participating Projects
TELEVISION:
The Killing Borrows from Fincher’s Seven
Imagination-Free Networks Are Bewitched, Frankensteined and Nannied
TV Roundup: NBC Remakes Munsters, Jeff Garlin’s New Show, PBS Clarifies Bert and Ernie’s Status
Torchwood, “the loopiest of all TV shows,” Episode 5 Review
Walking Dead: Why Did AMC Fire Showrunner Frank Darabont? THR Blames AMC’s Joel Stillerman
HOLLYWOOD POLITICS:
Alec Baldwin Studies for Mayor, Michael Moore Backs Matt Damon for President
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