Revered horse trainer and real-life cowboy Buck Brannaman is used to a busy, road tripping lifestyle. For three decades in clinics all over the U.S., Brannaman has taught horse owners what is commonly referred to as ‘natural horsemanship’: a philosophy of working with horses based on understanding how horses think and communicate. With this spring’s release of “Buck,” Cindy Meehl’s documentary on his life and troubled childhood, Brannaman became busier (and more popular) than ever. The film went on to exceed the wildest of expectations, grossing over $4 million at the domestic box office, making Brannaman a star on the doc circuit. It comes out on DVD/Blu-ray this week and it’s our pick of the week.
The Sundance award-winning film follows Brannaman as he travels around America to spread his gospel. Incorporating interviews with friends, colleagues and family, Meehl paints a portrait of man who used his painful past to inspire others to be become better people. The man is the real deal.
indieWIRE caught up with Brannaman in New York before the film opened to discuss why he agreed to take part in “Buck” and what life is life under a camera lens.
How did this all come about?
Over the years I had been approached to do documentaries on me a few times. I always would say, “That’s great you want to do one, just leave me out of it.” Because frankly it’s a risk having someone put on film what your life is about, when I’ve spent 29 years doing something good. Someone can misrepresent you and then you can’t make it go away.
[Editor’s Note: This interview was originally published prior to “Buck” opening in theaters.]
But I had gotten to know Cindy a bit. She had been to some of my clinics. We were having lunch at a friend’s guest ranch in Montana and she said, “Buck, I just wish more people were aware of what you’re doing. It’s not just about horses. It’s something that would appeal to people in urban environments. If they could just see your message come across.” She asked if she could do a ‘little’ documentary about me. I don’t know if she just caught me at the right time, but I said, “Go ahead and do it Cindy.” And we were done talking.
Were you apprehensive at all, given it was her first documentary?
That didn’t bother me and I’ll tell you why. When I wrote my book “The Faraway Horses,” people would say, “What in Sam Hell you writing a book for?” Why not? There’s no rule that you have to be a certain age to write an autobiography. Then a couple of friends said, “What make you think a publisher’s going to read it, let alone publish it?” And I said, “What makes you think they won’t?” The first publisher that read it did a deal with me. So the fact that that worked for me, it didn’t even concern me that Cindy hadn’t done it before. But I’m a bit of a dreamer by nature.
You said Cindy originally pitched it as a short to you? How long did the actual shoot last?
She was shooting really pretty steady for two and a half years. There were a few times I had to remind myself that I let her do this and told myself to go the extra mile and not be a big baby about it all. But there was never a time when I thought, ‘Man I’ll be glad when they get the hell out of here.’ It was melancholy when it was over. My life went on just the way it was, but I got attached to everyone. I miss them.
Did you set up boundaries prior shooting?
No, not really. I knew she respected me. The one thing I did tell her, was I said, “I don’t want you to treat this like I’m an actor in a film. I’m not going to do things on a mark. I won’t do things over. So you’re challenge is that you’re going to have to anticipate and have your camera in relation to me, because I’m not going to move in relation to you.”
I knew enough about how things should be shot etc. from working with Bob Redford on “The Horse Whisperer.”
How was business at your clinics during that time? I can imagine some of your clients were wary of being filmed, no?
Well it didn’t really affect my business one way or another. It was the same as always. Of course of lot of people were concerned about my business if this were to become really successful. [So far] it’s done nothing.
I’ve been doing this for a really long time. I have a limited amount of riders that I will take. For the rest of my year, all of my clinics are booked full. There may be more spectators than usual. But that will peak and then fall off. My life doesn’t change. But that’s okay. I’m not interested in changing all that much.
Was it tough watching your life story on screen? You went through some really rough patches in your childhood.
The toughest part was [watching] my friend Garry, who talked about what we went through as kids in the film. He’s very dear to me. It kind of tears me up to see that.
There’s another story about Gerry that wasn’t in the doc. During the time of us shooting, I would always fly fish with him. Well, we fished this stretch of the river that goes through a class five rapid. He’s expert at it; very dangerous water but great fishing. The last summer we were filming, the water was a little higher than normal. Long story short he got thrown out of the boat with the oars. It’s like a Reader’s Digest story. I held on to this raft by my fingertips. And I’m telling you, if you don’t believe in divine strength, if you were with me that day you would. I held the boat while my other friend jumped across the boat. Gerry was broached under a rock and was drowning. We saved him. About half an hour later all three of us grown men sat and cried like kids. So we’ve been through some stuff.
To see in the film how much he cares about me…Shit, I can hardly watch it.
Also on DVD/Blu-ray
This uplifting and rousing doc goes behind the scenes to show one drama filled week in the lives of competitive young Irish dancers taking part in the 40th Irish Dancing World Championships.
Extras: Bonus story segments, an interview with world famous costume designer Gavin Doherty, director’s commentary, deleted scenes and more.
“The Red Chapel”
A doc of an altogether different variety, “The Red Chapel” takes an explosive look at North Korea from inside the country itself. The film follows director Mads Brügger, who is granted access to the country by posing as the head of a small experimental theater troupe.
British comic Richard Ayoade steps behind the lens for the first time to deliver this quirky, heartbreaking romance about a teenager vying for his high school sweetheart, while trying to keep his parents together.
This timely thriller from writer-director Jeff Phillips tracks a group of teens and their families affected by the dangers of social networking.
Where to Find: Various Platforms
“Pretty Ugly People”
Missy Pyle (“Big Fish”) and Melissa McCarthy (“Bridesmaids”) star in this comedy where friendships are put to the ultimate test when a dying woman invites her friends from college into the wilderness for a four-day camping trip. Little do the guests know, the host has some tricks up her sleeve.
Where to Find: Various Platforms