Today in history, August 29, 2005… America suffers its most destructive natural disaster. Hurricane Katrina stormed ashore in southeast Louisiana. Killing 1800 people, destroying homes. 100,000s are forced to flee. The sluggish response to Katrina only adds to the misery. Government officials all faced sharp criticism for their handling of the tragedy. Despite some progress in rebuilding, recovery remaisn a long hard road, while debate over the disaster goes on…
Since that tragic day, several films (both fiction and non-fiction) have tackled Katrina and its aftermath, with the most prominent being Spike Lee’s When the Levees Broke: A Requiem in Four Acts – the 2006 documentary about the devastation of New Orleans, Louisiana due to the failure of the levees during Hurricane Katrina; and the sequel, If God Is Willing and Da Creek Don’t Rise – the 2010 documentary follow-up that looks into the years after Hurricane Katrina struck the New Orleans and Gulf Coast region, and also focuses on the 2010 BP oil spill in the Gulf of Mexico and its effect on the men and women who work along the shores of the gulf. Many of the participants in Levees were also featured in this documentary.
Also of note was Tia Lessin’s & Carl Deal’s Academy Award-nominated 2008 documentary, Trouble The Water. The powerful film won the Grand Jury Prize for Documentary at Sundance 2008. 2 weeks after Hurricane Katrina landed, New York filmmakers Lessin and Deal flew to Louisiana to make a film about soldiers returning from Iraq who had become homeless, but the National Guard refused the filmmakers access. Just when they were ready to disband their crew, Kim and Scott Roberts, streetwise and indomitable NOLA residents, introduced themselves. Kim had bought a camcorder the day before the hurricane and, using it for the first time, captured the devastation and its pathetic aftermath, including the selfless rescue of neighbors and the appalling failure of government. The Robertses and their story form the dramatic core of Trouble the Water.
On the fiction side, while director Benh Zeitlin said that he was careful not to tie his feature film debut, Beasts Of The Southern Wild, to any real place, time or issue, so as not to spoil its chances of being opened up to a wider interpretation, it’s hard to watch the film (which I have) and not immediately think of Katrina and its aftermath.
Coming soon, Jonathan Demme’s post-Katrina documentary I’m Carolyn Parker: The Good, The Mad And The Beautiful, will open at IFC Center in NYC, on September 12, for a limited run. It’ll then premiere on PBS, on Thursday, September 20, will still follow, as part of the network’s long-running POV documentary series.
I’m Carolyn Parker: The Good, The Mad And The Beautiful chronicles community activist Carolyn Parker, who Demme met in 2005 in New Orleans, and followed over the years afterward, as she lead a crusade to rebuild her house, her church, her community, as well as her life and family.
Of those scripted projects on the horizon, one of the highest profile on the list is probably Will Smith’s acquisition of the rights to the story of an ex-Marine who orchestrated the rescue of hundreds of his neighbors during Katrina.
John Lee Hancock was to write and direct the project, titled The American Can.
Standing at 6-ft-seven and 260 pounds, John Keller, the ex-Marine, lived in a five-story apartment building; and after chasing some looters, emerged as the man in charge of the 244 residents, many of them elderly or handicapped.
For five days, Keller, dubbed the “Can Man,” kept the building, isolated by 11 feet of water, safe from the chaos raging around the city. He also directed the eventual rescue operation from the building’s roof.
Will was initially thought to be the film’s star, but, as of our last post on the project, an offer went out to Denzel Washington to star instead.
There are obviously several other films (fiction and non-fiction) that have been made on the subject matter; I’m not suggesting that these are the best; maybe just a sample of the most prominent.
And there have been announcements of projects that haven’t yet been made, so I’m sure there are more Katrina films in our future.
But of those currently available, what are some of your most appreciated Katrina films, whether made for TV, theater, video, the web, etc…?