This lackluster weekend for movie openings may leave you wanting to catch up on the Thanksgiving releases you missed. That said, Andrew Dominik’s “Killing Them Softly,” an alternately engrossing and heavy-handed hitman drama starring Brad Pitt, is the strongest of the bunch. Beyond that, the options are disparate: a feminist take on Marilyn Monroe from HBO star Liz Garbus, “Love, Marilyn,” wan horror title “The Collection,” or Van Damme-Lundgren vehicle “Universal Soldier: Day of Reckoning,” which some critics find worth reckoning with (and some don’t).
Check out reviews, details and trailers below.
“Killing Them Softly” Dir. Andrew Dominik, US | The Weinstein Company | 78% Fresh | Cast: Brad Pitt, James Gandolfini, Scoot McNairy, Ray Liotta, Ben Mendelsohn | Movieline: “If gangsterism is just capitalism in a more raw form, then Jackie is the creature best suited for this world. He knows the rules and enforces them without prejudice, because it’s just business and this is just a job. Killing Them Softly doesn’t give that idea its intended sting.” | Our Review.
“Love, Marilyn” Dir. Liz Garbus, US | HBO Documentary Films | 45% Metascore | Cast: Viola Davis, Paul Giamatti, Glenn Close, Lindsay Lohan, Elizabeth Banks | New York Post: “Slicker than most attempts to document Monroe’s successes and tragic trajectory, but even her own words don’t provide much more of an insight into what made this troubled icon tick.”
“The Collection” Dir. Marcus Dunstan, US | LD Entertainment | 44% Rotten | Cast: Josh Stewart, Christopher McDonald, Navi Rawat | Hollywood Reporter: “Unfortunately, the Collector simply isn’t a very interesting screen villain. Clad in a black mask that reveals only his eyes and mouth, he mainly communicates by heavy breathing. It makes one yearn for the perversely witty chatter of Jigsaw.”
“Universal Soldier: Day of Reckoning” Dir. John Hyams, US | 59% Metascore | Cast: Jean-Claude Van Damme, Dolph Lundgren, Scott Adkins | Variety: “There’s something perversely fascinating about helmer John Hyams’ freewheeling yet deliberately paced mashup of noirish mystery, splatter-movie intensity, first-person-shooter vidgame and ‘Apocalypse Now’-style surrealism.”