“A visually playful biopic on Mexico’s Ed Wood.” –Variety
The story: Move
over Ed Wood! Mexico’s half-forgotten B-movie master, “involuntary
surrealist” Juan Orol, receives a pitch-perfect tribute in this
irresistible love letter to a self-made
man of showbiz, whose career spanned nearly sixty films. In a glorious
black-and-white flashback mingling movie-tainted memories of his
Galician childhood, forced exile to Cuba and arrival in Mexico. The intrepid
“Juanito” pursues failed careers as baseball
player, boxer, bullfighter and gangster before landing in the
movies-where failure kind of works for him. As Orol, Roberto Sosa exudes
droll underdog charm, anchoring a fast-moving comedy and a homage to a golden age of cinema.
clever camp homage to Orol, this film playfully explores the
filmmaker’s cult legacy, including visuals that deftly evoke the vintage
stock of bygone eras, and the budget aesthetic of its subject.” –AFI Silver
Through Global Lens, fans are invited to bring this film to local theaters or community centers. Preview this and the rest of the Global Lens 2013 lineup now on
Scope and email bookings [at] globalfilm.org.
Other Global Lens 2013 films now available for booking:
ABOUT 111 GIRLS (DARBARE 111 DOKHTAR), dir. Nahid Ghobadi and Bijan Bijan Zamanpira, Iraq, 2012, 79 minutes
Iranian state official, his driver and a young guide race across a
troubled but magnificent landscape to stop 111 young Kurdish women from
committing suicide in protest against conditions that have left them
spinsters. Official Selection, 2012 Busan IFF.
FlICKERS (YOU-ZHONG), dir. Zhang Yuan, China, 2012, 96 minutes
young man left behind by Beijing’s fabulous new wealth experiences
moments of euphoria amid despair as he roams the city with other misfit
dreamers in this darkly funny, gorgeously gritty portrait of disaffected
youth. Official Selection, 2012 Toronto IFF; Official Selection, 2012 Busan.
678, dir. Mohamed Diab, Egypt, 2010, 100 minutes
Three Cairene women from different backgrounds warily unite to combat
the sexual harassment that has impacted each of their lives-and become a
citywide plague-but their unconventional response provokes a dogged
police hunt. Official Selection, 2011 New
Directors/New Films; Official Selection, 2011 Seattle IFF; Muhr Arab Feature Best Actress and Best Actor, 2010 Dubai IFF.
FANTASTIC WORLD OF JUAN OROL (EL FANÁSTICO MUNDO DE JUAN OROL) , dir. Sebastían del Amo, Mexico, 2012, 90 minutes
Move over Ed Wood! The story of Mexico’s half-forgotten B-movie master,
“involuntary surrealist” Juan Orol, receives a pitch-perfect tribute in
this deft, irresistible love letter to life, the movies and a self-made
man of showbiz. Best First Feature Film,
2012 Guadalajara IFF.
KILLS ME (LA VIDA ME MATA), dir. Sebastían Silva, Chile, 2007, 92 minutes
Death come wrapped in a mutual embrace, absurd and poignant at once, in
celebrated director Sebastián Silva’s debut film about the unlikely
friendship between a grieving, young cinematographer and a morbidly
obsessed drifter. Best First Feature Film, 2008
International Latino FF; Best Chilean Film of 2007, Chilean Art Critics Circle.
RECEPTION (PAZIRAIE SADEH), dir. Mani Haghighi, Iran, 2012, 100 minutes
sibling-sophisticates from Tehran travel the mountainous northern
countryside, maniacally pushing bags of money on locals-a hilarious and
alarming exercise that unfurls with unexpected force amid subtle themes
of power and corruption. NETPAC Prize, 2012 Berlin IFF; Official Selection, 2012 Chicago IFF.
PARADE (PARADA), dir. Srdjan Dragojevic, Serbia, 2011, 115 minutes
In exchange for some wedding-planning expertise, a macho Serbian crime
boss recruits a ragtag group of Balkan war-buddies to provide protection
for a Pride march in this rollicking yet poignant comedy inspired by
real events. Panorama Audience Award, 2012
Berlin IFF; FIPRESCI Serbia Award for Best Serbian Film 2011.
UNCLE TURNS OFF THE LIGHTS, dir. Suman Ghosh, India, 2012, 65 minutes
80-year-old Kolkata retiree is determined to get the streetlights
turned off after sunrise, but finding someone to take him seriously
proves a battle against an indifferent bureaucracy and a complacent
quo. Official Selection, 2012 Busan IFF.
(SUDOESTE) dir. Eduardo Nunes, Brazil, 2011, 128 minutes
A young woman gives birth on her deathbed to a child who, spirited away
to a remote lakeside village, lives her lifetime in a single day, in
this hauntingly dreamlike tale of incommensurable life. Special Jury Prize, FIPRESCI Best Latin American Film and
Best Photography, 2011 Rio IFF; Official Selection, 2012 IFF Rotterdam.
STUDENT, dir. Darezhan
Omirbayev, Kazakhstan, 2012, 90 minutes
A solitary philosophy student commits a calculated violent crime against
the backdrop of Kazakhstan’s growing inequality, institutional
corruption and a ruthless ethic of eat-or-be-eaten in this broodingly
contemporary adaptation of Dostoevsky’s Crime and Punishment. Un
Certain Regard, 2012 Cannes FF; Official Selection, 2012 Toronto IFF; Official Selection, 2012 Venice IF.
The Global Lens film series
is an annual, curated program of narrative feature films from Africa,
Asia, Central & Eastern Europe, Latin America and the Middle East.
Films from the series are screened in
more than fifty cities nationwide, are featured exclusively on Virgin
America airlines, and include top festival picks and official
submissions to the Oscars.
All proceeds received from Global Lens are reinvested in
the Global Film Initiative’s Granting Program, and other philanthropic
programs of the Initiative.
Global Film Initiative was founded in 2002 to create global
understanding, empathy and connectivity through film. Since its
establishment, the Initiative has supported hundreds of filmmakers with
networking opportunities, and has presented its signature film series,
Global Lens, in the U.S. and select international locations via a
diverse network of artistic, educational, cultural and diplomatic
partners. For more information about the Global Lens
film series and Global Film Initiative programs, readers are invited to http://globalfilm.org/programs.htm
Change the Way You See the World.
Global Film Initiative is a 501(c)3 tax-exempt organization. All
proceeds from the Global Lens film series support international
filmmaker grants, educational programming and resources, touring film
and other philanthropic initiatives and programs sponsored by the
Global Film Initiative.