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Rasoulof’s “Manuscripts” Flouts Iranian Censors, Invites Controversy

Rasoulof's "Manuscripts" Flouts Iranian Censors, Invites Controversy

Iranian filmmaker Mohammad Rasoulof, who has been sentenced to a single year in jail by authorities in his home country, unveiled his latest movie in Cannes yesterday, “Manuscripts Don’t Burn”; and it promises to only make matters more difficult for the courageous filmmaker. Like fellow Iranian director Jafar Panahi, who has been banned from making movies and sentenced to a longer prison term, the country’s Judicial punishments appear to have done little to dampen their creative and activist spirits.

According to a review in The Hollywood Reporter, the film “bypasses the indirect allegorical style of Rasoulof’s past work to
mount a sustained attack on state corruption, violence and censorship
in modern-day Iran.”

The Reporter review suggests the film may be inspired by the so-called “Chain Murders” of
more than 80 Iranian writers, intellectuals, political activists and
ordinary citizens between 1988 and 1998. All had been critical of the
Islamic Republic. “Among the alleged perpetrators accused by human rights
groups were Mostafa Pour Mohammadi and Gholam Hossein Mohseni Ezhei,
who later became President Ahmadinejad’s interior and intelligence
ministers respectively. This is emphatically not a film that will please
the current regime.”

The Variety review also suggests that Rasoulof’s thriller is an overt critique of authoritarianism and censorship, calling it is “perhaps the first film since the declaration of the
Islamic Republic to confront so directly the brutality of the feared
security apparatus.”

Reportedly shot in Germany and exteriors in Iran, the film was cast supposedly with expat Iranians living in Europe. According to Variety, Rasoulof
has been living between Tehran and Hamburg, Germany. One suspects he will stay in Europe for the time being.

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