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Venice Film Festival Showcases Auteurs Miyazaki, Cuaron, Gilliam, Schrader, Frears, and Reichardt

Venice Film Festival Showcases Auteurs Miyazaki, Cuaron, Gilliam, Schrader, Frears, and Reichardt

The Venice Film Festival gets under way August 28 with Alfonso Cuaron’s previously announced 3-D opener “Gravity,” starring George Clooney and Sandra Bullock, and closes with Tierry Ragobert’s $20 million 3-D documentary “Amazonia.”

Other films not in competition include the return of “Pieta” Golden Lion winner Kim Ki-duk with “Moebius,” which is banned in South Korea reportedly for “scenes of self-castration and incest”; Shinji Aramaki’s 3-D animated “Space Pirate Captain Harlock,” Steven Knight’s “Locke,” starring Tom Hardy, Sang-il Lee’s “Unforgiven,” starring Ken Watanabe, Australian Greg McLean’s “Wolf Creek,” starring Philipe Klaus, Horizons jury chief Paul Schrader’s crowd-funded “The Canyons,” starring Lindsay Lohan and porn star James Deen, Ettore Scola’s “Che strano chiamarsi Federico Scola racconta Fellini,” and Andzej Wajda’s (Walesa. Man of Hope”).

Out of competition documentaries include “When Zappa Came to Sicily,” featuring the Frank Zappa family, Alex Gibney’s Lance Armstrong expose “The Armstrong Lie,” and Frederick Wiseman’s “At Berkeley.”

Among the global auteurs making world premieres at Venice are Hayao Miyazaki with animated feature “The Wind Rises,” which just opened well in Japan, frequent attendee Terry Gilliam with “The Zero Theorem,” starring Christoph Waltz and Tilda Swinton; Jonathan Glazer, whose sci-fi thriller “Under the Skin” stars Scarlett Johansson as an alien; Kelly Reichardt with environmental terrorist drama “Night Moves,” starring Jesse Eisenberg, Peter Sarsgaard and Dakota Fanning; Quebecois Xavier Dolan, 24, with psychological thriller “Tom at the Farm”; and Israeli filmmaker Amos Gitai’s “Ana Arabia.”

The U.S. is supplying a sizable 18 American features in the official selection, seven in competition, including for the first time documentaries such as Errol Morris’s “The Unknown Known: the Life and Times of Donald Rumsfeld.” James Franco adapts Cormac McCarthy’s “Child of God”; David Gordon Green sets thriller “Joe” in Texas, starring Nicolas Cage; and JFK assassination drama “Parkland,” the directorial debut of screenwriter Peter Landesman, is produced by Tom Hanks and Gary Goetzman and stars Zac Efron, Marcia Gay Harden, Paul Giamatti, and Billy Bob Thornton.

The U.K. contingent’s competition titles include Stephen Frears’ adoption drama “Philomena,” starring Judi Dench (The Weinstein Co.), U.K./Brit co-production “Tracks,” starring Mia Wasikowska as a woman who trekked 1,678 miles through the Australian outback in 1977, from U.S director John Curran and “The King’s Speech” producers Emile Sherman and Iain Canning.


“Es-Stouh” (The Rooftops), Merzak Allouache (Algeria-France)

“L’intrepido” Gianni Amelio (Italy)

“Miss Violence,” Alexandros Avranas (Greece)

“Tracks,” John Curran (U.K.-Australia)

“Via Castellana Bandiera,” Emma Dante (Italy-Switzerland-France)

“Tom at the Farm,” Xavier Dolan (Canada-France)

“Child of God,” James Franco (U.S.)

“Philomena,” Stephen Frears (U.K.)

“La Jalousie,” Philippe Garrel (France)

“The Zero Theorem,” Terry Gilliam (U.K.-U.S.)

“Ana Arabia,” Amos Gitai (Israel-France)

“Under the Skin,” Jonathan Glazer (U.K.-U.S.)

“Joe,” David Gordon Green (U.S.)

“Die Frau des Polizisten” (The Police Officer’s Wife) Philip Groning (Germany)

“Kaze tachinu,” Hayao Miyazaki (Japan)

“The Unknown Known: the Life and Times of Donald Rumsfeld,” Errol Morris (U.S.)

“Night Moves,” Kelly Reichardt (U.S.)

“Parkland,” Peter Landesman (U.S.)

“Sacro GRA,” Gianfranco Rosi (Italy)

“Jiaoyou” (Stray Dogs), Tsai Ming-liang (Taiwan-France)


“Space Pirate Captain Harlock,” Aramaki Shinji (Japan)

“Gravity,” Alfonso Cuaron (U.S.) (Opener)

“Moebius,” Kim Ki-duk (South Korea)

“Locke,” Steven Knight (U.K.)

“Yurusarezaru mono” (Unforgiven), Lee Sang-Il (Japan)

”Wolf Creek 2,” Greg McLean (Australia)

“Die Andere Heimat — Chronik einer Sehnsucht” (Home from Home — Chronicle of a Vision), Edgar Reitz (Germany)

“The Canyons,” Paul Schrader (U.S.)

“Che strano chiamarsi Federico Scola racconta Fellini,” Ettore Scola (Italy)

“Walesa. Czlowiek z nadziei” (Walesa. Man of Hope), Andrzej Wajda, Ewa Brodzka (Poland)


“Summer 82 When Zappa Came to Sicily,” Salvo Cuccia (Italy-U.S.)

“Pine Ridge,” Anna Eborn (Denmark)

“The Armstrong Lie,” Alex Gibney (U.S.)

“Ukraina ne Bordel” (Ukraine Is Not Brothel), Kitty Green (Australia)

”Amazonia,” Thierry Ragobert (France-Brazil) (Closer)

“Feng Ai” (‘Til Madness Do Us Apart), Wang Bing (Hong Kong-China-France-Japan)

“At Berkeley,” Frederick Wiseman (U.S.)


“Je m’appelle Hmmm…,” Agnes B. (France)

“Bauyr” (Little Brother), Serik Aprymov (Kazakhstan)

“Il terzo tempo,” Enrico Maria Artale (Italy)

“Eastern Boys,” Robin Campillo (France)

“Palo Alto,” Gia Coppola (U.S.)

“Ruin,” Amiel Courtin-Wilson, Michael Cody (Australia)

“Mahi Va Gorbeh” (Fish and Cat), Shahram Mokri (Iran)

“Vi ar bast!” (We Are the Best!) Lukas Moodysson (Sweden-Denmark)

“Wolfskinder” (Wolfschildren), Rick Ostermann (Germany)

“La vida despues,” David Pablos (Mexico)

“Algunas Chicas,” Santiago Palavecino (Argentina)

“Medeas,” Andrea Pallaoro (U.S.-Italy)

“Still Life,” Uberto Pasolini (U.K.)

“Piccola Patria,” Alessandro Rossetto (Italy)

“La prima neve,” Andrea Segre (Italy)

“Jigoku de naze warui,” (Why Don’t You Play in Hell?) Sono Sion (Japan)

“The Sacrament,” Ti West (U.S.)

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