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DVD: Julianne Moore, Steve Coogan in the Exquisite ‘What Maisie Knew’

DVD: Julianne Moore, Steve Coogan in the Exquisite 'What Maisie Knew'

If they hadn’t kept the title, you might not guess that Scott
McGehee and David Siegel’s What Maisie Knew was based on Henry James’ novel —
and that’s high praise for this contemporary, Manhattan-set variation, with
Julianne Moore as a rock singer and Steve Coogan as an art dealer. A
lovely example of how to extract the essence of a book and make it new on
screen, the film borrows James’ challenging narrative strategy, telling the story
of a child of divorce  — a scandalous event
when the book was published in 1897 —  from the little girl’s point of view. As Maisie
observes her parents and their new relationships, she sees far more than a
6-year-old can understand.

We understand plenty, though. For one thing, Susanna (Moore)
and Beale (Coogan) are emotionally neglectful parents and hideously selfish — if
attractive and expensively maintained — individuals. We see that Beale, who is
the more playful and attentive parent, is even more interested in Maisie’s
young, blonde nanny (Joanna Vanderham) than he is in his daughter. Coogan has
been great at playing sleazeballs, but here he is fantastic in a more nuanced role, as
the father who can be warm, funny, appealing — until it’s time to take off on
another business trip.

In retaliation for the nanny, Maisie’s Mom acquires her
own  blonde boy toy, (Alexander
Skarsgard, in photo above). While her parents exploit Maisie as a joint-custody weapon between
them, and as their own new relationships inevitably fray, the film gradually
moves from their maneuvers to Maisie’s far warmer connection with her surrogate
parents. Maisie is wonderfully played by Onata Aprile, with a still-faced gaze
that reveals the little wheels turning, sometimes confusingly, inside her

The world of upscale, downtown New York — the Little Red
Schoolhouse on Sixth Avenue, taxis and lofty apartments — is stylishly
presented, but never overwhelms the taut narrative (the screenplay is by Nancy
Doyne and Carroll Cartwright).  The only
DVD extra is Siegel and McGehee’s directors’ commentary, more perfunctory than
illuminating, but that doesn’t matter. Don’t miss a chance to see this exquisite
little film. It is as absorbing, as touching, as unsentimental as
matter-of-fact little Maisie herself.

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