The top stories of the week from TOH!
Harvey Weinstein Cuts a Swath Through the Fall Fests, From “August: Osage County” to Pick-Ups
Women Are Running the Academy and the Oscars
How to Make Sense of the Universal Shake-Up
Memo to Screenwriters #3: Being Solely Identified by Your Scripts Leads to Permanent Identity Crisis
Your Week in Streaming: O Canada! Fandor Heads North, and a Guide to Great Canuck Films on VOD
TIFF: “The Unknown Known” Review and Q & A: Errol Morris vs. Donald Rumsfeld
TIFF Buy: Open Road Acquires John Ridley’s Must-See Hendrix Biopic “All Is By My Side” (TIFF VIDEO)
Toronto Film Festival: Movies About Fat People
Toronto International Film Festival: Thom Powers Talks Docs
TIFF Interview: Juliette Binoche Talks “Words and Pictures” (EXCLUSIVE VIDEO)
Immersed in Movies: Transforming “The Wizard of Oz” in 3-D for IMAX (VIDEO)
Plan B Producer Dede Gardner Talks “12 Years a Slave,” “World War Z” and Partner Brad Pitt
News:
Casting Watch: Julianne Moore Joins “Hunger Games: Mockingjay” Parts 1 and 2
Review and Roundup: “August: Osage County,” Starring Julia Roberts and Meryl Streep
Review and Roundup: Weinstein Acquisition “The Railway Man,” Starring Colin Firth and Nicole Kidman
Review and Roundup: Matthew Weiner Misfires with Critically Panned “You Are Here”
TIFF Review: Gandolfini’s Farewell Performance in Holofcener’s “Enough Said”
TIFF Review: Pirjo Honkasalo’s “Concrete Night” One of the Most Gorgeous Films at Toronto
TIFF Review: Teller’s Clever Art Mystery Doc “Tim’s Vermeer” Plays Like Magic
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